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Broadway Grosses: Week Ending 9/3/17

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#1

Broadway Grosses: Week Ending 9/3/17

Click below to access all the Broadway grosses from all the shows for the week ending 9/3/2017 in BroadwayWorld's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Click Here to Visit the Broadway Grosses...

Up for the week by attendance was: BEAUTIFUL (13.1%), GROUNDHOG DAY (11.0%), SCHOOL OF ROCK (9.2%), MISS SAIGON (8.3%), THE PLAY THAT GOES WRONG (7.7%), CHARLIE AND THE CHOCOLATE FACTORY (7.3%), WAITRESS (6.8%), CHICAGO (6.0%), WAR PAINT (5.9%), A DOLL'S HOUSE, PART 2 (5.7%), KINKY BOOTS (5.5%), ANASTASIA (5.3%), BANDSTAND (4.4%), WICKED (3.1%), 1984 (2.3%), THE TERMS OF MY SURRENDER (2.2%), ALADDIN (1.6%), THE LION KING (1.2%), CATS (1.0%), NATASHA, PIERRE & THE GREAT COMET OF 1812 (0.8%), HELLO, DOLLY! (0.7%), THE BOOK OF MORMON (0.5%), THE PHANTOM OF THE OPERA (0.3%), DEAR EVAN HANSEN (0.2%),

Down for the week by attendance was: PRINCE OF BROADWAY (-7.4%), A BRONX TALE THE MUSICAL (-1.0%),

Click Here to Visit the BroadwayWorld Grosses...

#2

Broadway Grosses: Week Ending 9/3/17

You have no idea how happy I am that this week's numbers are nowhere near as abysmal as the past week's ones were...

Last week, everything was in the red and nearly every show took a hit.

Good to see that this week looks much, much better.

#5

Broadway Grosses: Week Ending 9/3/17

I couldn't see a single empty seat at Comet on Friday or Saturday afternoon from where I was sitting, so I am not surprised by these numbers. So glad they went out with a bang.

#6

Broadway Grosses: Week Ending 9/3/17

I'm very pleased with these numbers. For Great Comet, GHD, and Bandstand especially, at least they'll all close with a bang.

#7

Broadway Grosses: Week Ending 9/3/17

I have followed the discussions regarding Great Comet, so I understand that its prospects were dim from the get-go, and of course its producers presumably knew that the advance sale was dismal.

Just out of curiosity, though, how many other open-ended productions have closed without ever actually posting a bad week?

#8

Broadway Grosses: Week Ending 9/3/17

The Evita revival?


My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades

Updated On: 9/5/17 at 03:41 PM

#9

Broadway Grosses: Week Ending 9/3/17

Technically also Shuffle Along ^


-There's the muddle in the middle. There's the puddle where the poodle did the piddle."
#10

Broadway Grosses: Week Ending 9/3/17

I have a few newbie questions regarding grosses. Thanks in advance for your help :)

1. How can seats sold be over 100%?

2. I see a Highest Ticket Price listed. I assume this is the original sale (via the theatre) price. Obviously not including resales.

Carmen

#12

Broadway Grosses: Week Ending 9/3/17

The Evita revival slowed significantly during the fall, hovering between 50-65% of Potential Gross sales. Shuffle Along never grossed above 87.5% of its potential. If there is anything I would comp it to it would be The Boy From Oz, which similarly rarely fell below 90% in terms of capacity.

Updated On: 9/5/17 at 04:02 PM

#14

Broadway Grosses: Week Ending 9/3/17

trpguyy said: "Newsies always printed money, but Disney closed it because they were bored (?)"

I think Newsies was a lot more expensive then we all like to think. Add to that if I had to guess Dinsney thought it would close before the tour would. Thus they decided to split the difference and save some money, and close the Broadway production so they could tour with the Broadway sets.

#15

Broadway Grosses: Week Ending 9/3/17

bdn223 said: "trpguyy said: "Newsies always printed money, but Disney closed it because they were bored (?)"

I thinkNewsieswas a lot more expensive then we all like to think. Add to that if I had to guess Dinsney thought it would close before the tour would.Thusthey decided to split the difference and save some money, and close the Broadway production so they could tour with the Broadway sets.
"

1) It didn't cost more that we (or at least I) think.

2) The tour was entirely new physical production.

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