Broadway Musical Edits

Afternoon Everyone, 

In a recent Broadway world article on Frozen, they mention that songs will be cut/added/edited for the new cast that starts tonight, and mention that these changes have already happened in the current tour. Does anyone have insight on this? Why are they changing shows throughout their run? I noticed this when I saw the tour of Mean Girls, a variety of songs had been changed (some of them not in a good way). Is this the new normal for Broadway shows, to be edited for tours and then adjusted for the Broadway stage when they have already been running successfully for a number of years?? 

This is not the "new" normal. Theatre is a live artform and there are always ways to improve pieces (at least in their opinion) here and there when the creative team get together and... there's nothing really wrong with that? Maybe stick to film if you want something that will never change.

LizzieCurry said: "Also, if you’d seen Miss Saigon anytime after around 1994 and grew up listening to the OLC, you would’ve noticed a HELL of a lot of differences."

This. Ending went through, what, at least three different incarnations? And with the new tour/production they changed Ellen's song (not for the better, IMO). That's almost 20 years after the show debuted. 

Same creators did similar with LES MISERABLES. Original show ran for years at right under 3 hours long. Cuts were made around the time of the 10th anniversary. They also added a new scene with Valjean finding Young Cosette in the woods prior to "The Bargain." The revisal has quite a few lyric changes as well. I miss the full LES MIS and especially the original staging. Such magic.

WICKED also had several changes well after opening. Some came when the tour launched, more came with the London production. Seems like I recall them also making another change fairly recently (last couple of years maybe) regarding how Fiyero is introduced/first meets Elphaba.

 

Changes after the opening aren't uncommon and have a long history.  Show Boat, Hello Dolly!, The Gay Life, Camelot, Chicago, The Lion King and The Addams Family  are among the shows that immediately come to mind that had major, or at least noticeable, changes either during their initial Broadway runs or afterwards.  Changes are sometimes made for the first national tour or first major production outside of New York which are later incorporated into the Broadway production if it is still running.

Camelot and The Addams family are good examples of shows that had to open due to contractual obligations before their creative teams felt the shows were ready so they kept working on them.  Camelot made major changes months into its Broadway run and The Addams Family made  major changes for its first national.  With Camelot, director Moss Hart had a heart attack that almost killed him and lyricist/librettist Alan Jay Lerner had to be hospitalized for other reasons when the show was out of town.  They  couldn't finish their work until after the show had opened in New York.

Updated On: 2/18/20 at 07:26 PM

Neither Gower Champion nor David Merrick were really happy with the original song contest featuring Ambrose and Ermengarde at the Harmonia Gardens in the second act of Hello Dolly.  The scene featured a song for the Harmonia Gardens' chorus girls called "Come and Be My Butterfly." It had some wonderful comic business for David Burns with the chorus girl Butterflies (“Watch those feelers, Miss!” ) and the song was an enjoyable late 19th century pastiche but Champion wanted more. 

When the first national tour went out with Mary Martin (it played four or five stops in the US as the first national  before going to Japan and Viet Nam as the International Tour and then settling in England as the original London production at the Drury Lane) the Butterfly number was cut and the song contest was changed to  a polka contest.

The change was made to the Broadway production only when Channing left to lead the extensive second national tour and Ginger Rogers replaced her on Broadway.  That was at least 18 months or more into the Broadway production.  Channing's tour also included included the change and that's how it remains in all licensed versions.

This explains Channing's line on the OBCR during Put On Your Sunday Clothes "Ambrose let me hear that tonic chord!"  In all later versions the line is "We haven't missed the train, thank the Lord!"

Updated On: 2/19/20 at 10:04 PM

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your username reminded me of when Gillian Lynne revisited The Phantom of the Opera in 2016 and decided to change the choreography of Masquerade

The biggest offender is definitely Frank Wildhorn. I don't think I've ever found a score for Jekyll and Hyde and an album that match up.

The Anastasia tour came to mind first. Crossing a bridge and some scenes in act 2 regarding Anya confronting Dimitri and Vlad were cut, and some time with the Grandma.

Saw it both there and on Broadway, and I know if it didn't close they were planning on bringing the change to NY