Les Miserables got mixed notices in London, but the New York critics loved it. The all-powerful Frank Rich of the Times began his review, "If anyone doubts that the contemporary musical theatre can flex its atrophied muscles and yank an audience right out of its seats, he need look no further than the Act I finale of Les Miserables." He goes onto say "The ensuing fusion of drama, music, character, design and movement is what links this English adaptation of a French show to the highest tradition of modern Broadway musical production." Most of other NY critics similarly raved.
Rich gave mixed-to-negative reviews, however to several long-running hits: 42nd Street (3,486 performances); Brighton Beach Memoirs (1,530); The Will Rogers Follies (963); I'm Not Rappaport (890); Into The Woods (765); Starlight Express (761); The Secret Garden (706) and Agnes of God (599).
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney