Wow, I opened a can of worms here...this is too funny!
Last Midnight and Is This What You Call Love have some similar music
"everywhere I go, there you are"
"and the gloom, and the doom"
There’s a guitar riff in “Damned For All Time” in JCS that sounds just like the theme to the old Batman series.
Featured Actor Joined: 5/14/05
Whoa, isn't it weird how AIDA sounds like every one of Elton John's hits? Weird. . .
>>This could quite possibly have been intentional but...
The words "Couldn't be happier" from Wicked sound just like "Follow the yellow brick" from Wizard of OZ. <<
I'm a little freaked out I never noticed this before...
Everything in Woman In White sounds like other ALW songs.
Broadway Legend Joined: 5/27/05
>>This could quite possibly have been intentional but...
The words "Couldn't be happier" from Wicked sound just like "Follow the yellow brick" from Wizard of OZ.
It was intentiol, as was the allusion to "Somewhere Over the Rainbow" in the recurring "Unlimited" motif.
One of the most obvious:
Thuy and Kim's first confrontation after Dju Vui Vai in Miss Saigon echoes the "Look Down" motif from Les Miserables. It's most obvious on the London recording.
Broadway Legend Joined: 5/10/05
OMG Miss Saigon and Les Mis have similar sounds? I'm shocked, Shocked I say.
SWEET CHARITY's "There's Gotta Be Something Better Than This" is a virtual, perhaps knowing/honoring re-write of WEST SIDE STORY's "America"
Understudy Joined: 9/22/05
Lammastide from The Woman in White sounds EXACTLY like the Macarena...
trust me
Swing Joined: 6/15/04
Here's another one from Miss Saigon. My old band director pointed it out to us (as a rip-off) when we played a Miss Saigon medley, and I couldn't believe I never noticed it before:
In "The Heat is on in Saigon" (etc), the phrase "the heat is on in Saigon" and all similar melody lines sound just like the phrase "That ain't no way to have fun, son" from 3 Dog Night's "Mama Told Me Not to Come" (except for the "son" part). Now I can't think of that song without hearing the other one in my head!
-Jennifer
NCGUY I noticed the BATMAN/JCS similarity. I've also thought that "The Worst Pies in London" (SWEENEY TODD) sounds very much like "Tomorrow" (ANNIE).
OMG Miss Saigon and Les Mis have similar sounds? I'm shocked, Shocked I say.
Ummm...that's why I said it was obvious. I didn't say it was a discovery on par with Planck's constant.
Ulla i totally agree with you
Chorus Member Joined: 12/24/05
every new pop/rock musical sounds like every other pop/rock musical... not that its all bad. I fall for that crap too.
There are only a few (contemporary) composers out there who have "found there own voice."
Adam Guettel
LaChuisa
Sondheim
any others you can think of?
to me, whenever i listen to Dance of the Robe (Aida) and when it comes to the part when the slaves are singing, "Aida," I always think of when the Argentinians are singing, "Evita!" hehehe
Stand-by Joined: 11/29/05
There are whole sections of Evita that sound just like Jesus Christ Superstar... Oh, What A Circus and Heaven on Their Mind, for example.
Pilate's entrance music in Act 2 of Superstar was pulled verbatim from an earlier version of Joseph, as well.
JRB definitely has is own style. When I listened to Parade for the first time I actually laughed during the Funeral sequence because the piano does a riff that is EXACTLY like other piano riffs in The Last 5 Years.
And Top of the Tree from Me and My Girl is almost EXACTLY the same melody as Shy from Once Upon A Mattress.
At about 1:40 in Octet from Light in the Piazza it sounds like No Moon No Wind in Titanic. Except the very end of the phrase is a different note.
Also in Stephen Swartz's musical Company you can hear some very similar melodies to Wicked. I forget exactly what song
there's someone named Stephen Swartz? There's someone named Stephen Swartz who wrote a show called Company?
Broadway Legend Joined: 6/27/05
"There are only a few (contemporary) composers out there who have "found there own voice."
Adam Guettel
LaChuisa "
Oh, please, that is too hilarious. I've been involved with countless readings of new musicals by unknowns over the last two decades. They are all the same and Guettel and LaChiusa sound like every last one of them: churning, pretentious, and melodically bereft with nary an emotional payoff in sight.
Jerusha Bromley
Walpole, Massachusetts
Miss Monika- That is so true! It does remind me of that too now that I think about it.
The beginning of "As Long As You're Mine" from Wicked reminds me of SOMETHING, but I can't think of what it is! 'Tis driving me crazy. Can anyone help?
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