I've long been in favor of saving the cast recording cottage industry by doing something like what Concert Live does in the UK. To quote their website, "Concert Live enables fans all over the world to relive the experience with instant audio recordings of live gigs available within minutes of the last note being played. Concert Live are dedicated to providing high quality collectable items featuring band commissioned artwork, exclusive content and premium sound quality."
Basically, they do exactly what it says on the box: they patch a multi-track into the soundboard that regulates a show's sound, and rather than the muddy noise that may result from just taking a raw dump from the board, they get clean channel feeds. This means they can record a whole concert in high quality, get a fantastic recording, make CD's of the show everyone just saw, and have them ready in time to be on sale for the fans on the way out the door. Some bands do this for every gig, even in 1,000 person venues; bear in mind, these are not recordings that would only be good for archival purposes. They are the real deal.
So, rather than play the waiting game and see if a major label would invest in a conventional cast recording, let's create something much more collectable for the audience member. Let's record every performance live, nightly, for sale in the lobby. It's a good advertising gimmick, and you can structure it into the price of the ticket so that the recording is continually generating revenue to make its costs back. Also, it destroys the bootleg market completely, something that companies have been trying to do in various media for years. Why go to the trouble of making an audience bootleg of variable quality where you're required to follow along with a script to be able to understand every line being said or sung, when you can just pick up the CD on the way out?
No major savings would result. Remote engineering is quite expensive. One still has to pay the cast and musicians union minimums. Extra costs (arrangers' fees, copyists' fees, fees to use production photos in the booklets, poster artwork, etc.) would still apply. But these can arguably be factored into the overall financial scheme: work the minimums into the base salaries of the cast and musicians, and the fees into the production budget.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Updated On: 12/13/13 at 03:02 PM