Posted: 6/1/22 at 11:20am
I recently contracted COVID and had to cancel our trip to NY, and I thought I'd share my experiences with various ticket refund policies in case this information might be helpful to others. For most shows, the policies were appalling and only serve to incentivize people not to stay home when sick because the financial loss is too great. I shared this sentiment with various parties, and one representative (at Audience Rewards) replied, "I agree completely; we really need to go back to the refund and exchange policies from last year".
Take Me Out - Tickets purchased directly from the 2nd Stage website. I called the number on the website and quickly and easily obtained a full refund. Exemplary customer service.
Phantom - Tickets purchased using points from the Audience Rewards website. I called the number on the website and was advised that the official policy is, "All sales final, no refunds or exchanges". However, the representative was very compassionate and she offered to call The Majestic while I waited on the line. Exemplary customer service.
Company, The Minutes, A Strange Loop - Tickets purchased from the Telecharge website. I called the number on the website and was advised that the official policy as of May 2022 is, "All sales final, no refunds or exchanges". The representative then went on to explain that, for COVID cancellations, you must provide an official, printed, positive diagnosis from a medical facility (at-home test results are not acceptable) in order for refund requests to be considered. I politely asked to speak with a manager, who came on the line shortly after and reiterated the same policy, but then offered to contact the respective box offices on my behalf ("...but I can't make any guarantees"). Overall, Telecharge exhibited more resistance than in the past and required more hoop-jumping, but ultimately they provided satisfactory customer service.
Beetlejuice, MJ - Tickets purchased from the Ticketmaster website, linked directly from the individual show sites. There were no phone numbers on the show sites or on the Broadway Direct website, which apparently operates both of these theatres and their respective services. I didn't even attempt to call Ticketmaster, because that has historically been an exercise in frustrating futility ("You can try to resell your ticket online"). After submitting requests for assistance via various website forms and social media accounts (I believe about five attempts were made, in total), I finally received an email response three days later from Broadway Direct, advising that they had contacted Ticketmaster on my behalf. While I appreciated the assistance eventually obtained from Broadway Direct, I feel that there is simply no excuse for providing no means of speaking with a live person in such situations. However, that sort of thing is par for the course with Ticketmaster shows and contributes to my great reluctance to do business with them.
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage