"It’s the holiday season for the Dahl family! The four adult children return to their childhood home with partners in tow. The Dahl traditions include singing carols in harmony at the drop of a hat, but the gathering is anything but harmonious. Old conflicts resurface, new issues battled, and dinner is taking absolutely forever to be served. Will the love the Dahls have for each other be enough to get them through, or will this be their last Christmas together?
Emmy® Award nominee Leslye Headland (Bachelorette, “Star Wars: The Acolyte,”) has written an equally heartwarming and heartbreaking new play about the things that bind families together... or tear them apart."
"Larger themes notwithstanding, Cult of Love is mostly concerned with exploring just such complicated smallness. With an analytic precision that is tempered by sympathy and humor, Headland expertly renders the shifting dynamics and allegiances within the family and the couples: the gang-ups and ambushes, the protective measures and defensive thrusts. And Trip Cullman’s Second Stage production captures that complexity beautifully. It’s there in every inch of John Lee Beatty’s detailed farmhouse set and in Sophia Choi’s perfectly chosen costumes, and especially in the first-rate work of the large cast. Whether singing or sniping or merely stewing, these ten actors don’t hit a false note, and they blend together seamlessly. It's ensemble acting at a shared high level. They do themselves proud."
"That parents burden their children with what they advertise as blessings is the play’s slipperiest mystery. You catch its tail in the way David Rasche, as Bill, performs the forgetfulness of dementia as a kind of liberation. You catch it more fully in the way Winningham’s subtly riveting Ginny legislates reality and, when she can’t, kills it with a pocket veto. Also useful to Ginny is alcohol, a vice she celebrates instead of criticizes because it is her own. As a second course to the pre-dinner wine, she emerges from the kitchen triumphant with a punch bowl of Manhattans.
The rest of the cast is excellent too, in both the showier roles — Quinto as Mark, plunged into despair; Woodley as Diana, devolving into derangement — and the quieter ones. (As Pippa, Roberta Colindrez offers a marvelously tart contrast to the family’s figgy pudding stickiness.) The technical elements are top-notch, intensifying naturalism until it grazes the surreal."
"There is so much good and sharp in “Cult of Love” — its treatment of grown siblings reckoning with their parents, its tactical observations about how in-laws fit into a family unit — that its slack moments rankle somewhat. Fairly dully written condemnations that Quinto’s and Henderson’s characters toss out against religious faith play now as easy applause lines; I wish they were sharper, because this show has so much going for it. But give “Cult of Love” this much: It leaves the audience on a high. "
Cult of Love review – Christmas descends into chaos in smart Broadway play
Hayes Theatre, New York City
Leslye Headland’s 2018 play makes for a tense and timely pre-holiday watch with a starry cast, including Shailene Woodley and Zachary Quinto, giving it their all
"All of this has a schematic quality that makes “Cult of Love” feel less like captivating theater than that dreaded blanket term for stories that pleasantly pass the time: content.
The feeling isn’t helped by a handful of indignant clapbacks to conservative relatives that play like catnip for liberal applause. Socking it to the homophobes would be one thing if the clashing of views generated much heat; here it has all the vigor of bopping a naughty pooch with a newspaper. Headland, a co-creator of the Netflix series “Russian Doll” and creator of “Star Wars: The Acolyte,” draws the Dahls and their companions with only enough detail to serve their purpose. These are not complex characters brought into conflict by circumstance, but types and viewpoints — the seemingly guileless, narcissist mother; disgruntled adult kids — hashing out predictable conflicts. “August: Osage County” this isn’t."
"A Second Stage Theater production steered like a fast-moving sleigh by director Trip Cullman, Cult Of Love boasts an excellent cast (headed by Zachary Quinto, Mare Winningham, David Rasche and, in an impressive Broadway debut, Star Wars: The Acolyte‘s Rebecca Henderson) that pulls off a familiar scenario with unexpected freshness."
Broadway Review: ‘Cult of Love’ Wishes You a Not-So Merry Christmas
IT’S A WONDERFUL LIFE?
In “Cult of Love,” the Dahls spend Christmas in a festive farmhouse. So, get out the eggnog and prepare for explosions around sexuality, religion, addiction, and mental illness!