The preview version was the best. All the flaws in the story were explained (but, for some reason, were cut before opening night). It's a weird show, even though (and quite famously too) I prefer the German version. My favourite bits in the show (and possibly the most romantic tune I've ever heard) is "A Good Nightmare Comes so Rarely". The "Invitation to the Ball," in the Previews, was the true meaning of Broadway. It completely blew me away.
Among the shlock, there were some stunning moments that would have given Lloyd Webber a run for his money: namely, the music of "God has Left the Building" (possibly the loudest music ever played on Broadway), the Invitation (of course), "Death is Such an Odd Thing," a very cool cabaret number and everything after "Braver Than we Are" before the end of Act One. "Total Eclipse" also, despite how you can hear the audience laughing, is one of Crawford's best performances IMO and the first time I heard it just blew me away. "For Sarah" really didn't deserve to be there, it belongs in another show Steinman wrote - The Confidence Man with Ray Errol Fox.
The show was beautiful as it is, a powerful and ironic spoof, but it became an amazing score trapped in one of the worst books I've ever encountered.
EDIT: Next stop for Vampires: TOKYO!
Who can explain it, who can tell you why?
Fools give you reasons, wise men never try
-South Pacific
Updated On: 12/12/05 at 02:14 AM