Merman is who the score was composed for and no one else since has been able to sing that demanding role with the same effortless power and freedom -- the others, while they have their strong points, struggled just to even get through the role, let alone "own it" as Merman did. The role fit her like a glove, while for the others, the glove was a few sizes too large for them. Merman is not everyone's taste to be sure an can sound quite abrasive, but then, so is the character of Rose -- grating, vexing, annoying are words that can be used to describe both Merman and Rose. The OBC is a must-own for any fan of the musical theatre.
Lansbury's is also well-worth buying (though she had to alter the keys just to get through the role). Her acting and interepretation of Rose were rightfully acclaimed (many found her more persuasive from an acting perspective than Merman) and that comes through on the recording.
Peters, IMO was out of her depth in the big numbers. She croons the ballads nicely, but struggles mightily elsewhere -- she's got a pretty voice to be sure, but she's just not Rose. The recording is interesting curiosity for Peters fans (of which I am one), but little more.
Tyne Daly was unfortunately ill and not in good voice when she recorded her cast album (she was much better in the theatre). I wouldn't recommend it.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Updated On: 10/26/04 at 08:02 PM