Fosse76 said: "HeyMrMusic said: "Since Julie is a Black character, she should be played by a Black actress. I think a Black director would make the show feel fresh and seen from a different perspective. So much of the forward action depends on the Black characters and how they are treated, so it really needs to be handled with care. All that aside, I’d welcome a large-scale production. It was so ahead of its time, and in ways, it still could be with some deft direction."
The Harold Prince revival cast black actresses as Julie. I personally think it's the definitive version of the show"
John McGlinn's work on restoring the original overture and orchestrations, augmented by a discovery of songs never used and old orchestrations in a Secaucus warehouse, led him to try to put together the original production seen on opening night, in conjunction with the Houston Grand Opera. That production made its way up a short stay on Broadway in 1983. Lonette McKee played the part of Julie in this production and received a Tony nomination for her work.
Lonette was the product of a Swedish mother and an African American father. She reprised the role in the Harold Prince production that spent a year in Montreal before coming to Broadway, and received strong notices.
The cast members are never less than personable, and the starchy Elaine Stritch is, for all her gruff manner, positively endearing as Cap'n Andy's wife, Parthy. But if the singing is magnificent on nearly every front, it is the crushed-blue-velvet alto of Lonette McKee (Julie) and the volcanic bass of Michel Bell (Joe) that best express the production's brooding concerns. Times, David Richards
MR. PRINCE'S HAPPIEST choice: Lonette McKee, who, as the doomed Julie (the role she also had in the Houston Opera Company's revival, seen in New York in 1983) plays and sings like a bluesy dream. Her first-act "Can't Help Lovin' Dat Man" is one of the show's highlights Times, Vincent Canby
That is of course Lonette in the video above.