Downsized Seussical Revival

A downsized revival on Broadway probably would not sell any better these days. Seussical has become one of the most licensed titles in MTI's catalog, so more and more audiences are becoming aware of it through their local high school and community theatre productions. These audiences are not going to want to come to NY to see something "smaller" than what their local theatre has already done. When they come to NY to see a show on Broadway they are expecting "bigger and better."

Updated On: 9/19/10 at 10:12 PM

Seussical won't come back to Broadway for a long, long time. The show makes waaaay too much money being licensed and performed by community theatres and schools for anybody to want to limit that income by putting it back up in a venue where it originally flopped.

Besides, the problem with Seussical on Broadway wasn't that the sets were too big, the problem with Seussical on Broadway was that it was an overblown mess of a show that ran 2 and a half hours had about 14 different plot threads running at once and yet was supposed to appeal to 5-year-olds, that it inexplicably focused more on Seussian D-listers like General Genghis Khan Schmitz and Gertrude McFuzz than actual icons like the Grinch and Sam-I-Am, and that it felt like one of those theme park revue shows, utterly devoid of any heart or inner life (a crucial component to any Dr. Seuss work).

About half of those problems were eventually remedied in the version of the show that can be now seen across America, but in my opinion Seussical will always be a muddled, unsalvageable mess for one simple reason - it will always attempt to be an amalgamation of every Dr. Seuss story. If the Seuss estate had just made musicals of ONLY Horton Hears a Who and ONLY The Cat in the Hat and ONLY How the Grinch Stole Christmas (well, they did that one and it worked out just fine) instead of trying to mash up every Seuss story like one of those "every-Simpsons-character" dorm room posters, they might have come up with a longer-term and more artistically faithful theatrical enterprise.

tl;dr: Seussical is utterly terrible and has become less terrible over the years.

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If NY is going to see a revival of Seussical I could actually see Stephen and Lynne putting their support into mounting an open ended Off-Broadway run of the production that Marcia Milgrom Dodge has created for Theatreworks. They've been very supportive of that production since it was produced at the Lortel back in 07, still attending final dress rehearsals for each new company when their schedules permit and catching it on the road if their paths cross.

Except for very rare productions, a show being revived on b'way does not take it off the market except withing a certain mile radius of NYC. However, we were denied rights to a show that was touring and coming to Boston within a few months of our dates.

IMHO, Seusical the JR version, works much better than the full length as it removed much of useless crap. I cannot stand to sit through the show -- but damn, it IS fun to work on.

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im glad you see my point i myself wasn't a fan of the original broadway production. i think they should rework it from there and not from what they have already.

I don't think Broadway will ever see a production of SEUSSICAL again. But the show is VERY successful -- it will be fine. It doesn't NEED another New York run. Is there more money to be made with it in NY? I don't think so...not even in 10 years...

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