Stupidbeans there was no reason to bump this, seeing as you've never posted on this?
Regardless, the concept album was intended to be different. I still am a big fan of Frank's, even though it was a kick-in-the-face to the cast. But if you look at the time when he began it, Frank legitimately needed monetary backing, and had to save as much. He no longer had the connection with Atlantic Records, so him and Jeremey left to begin there own (possibly Mr. Roberts' idea anyway, I don't know the whole story; I'm assuming it has something to do with Linda, especially since this was all at the same time and Roberts was Linda's vocal/music arranger I believe, and he left with Frank) record company, which released it's debut album: Jekyll & HYDE: Ressurection (with the lovely Brandi Burkhardt!), and have two on the "On-Hold" status in Cyrano (which is an awesome demo with Eder + Sills), and Dracula. Count of Monte Cristo (now starring Brandi Burkhardtt as Mercedes) is next, but I don't know if that's Global Vision records either. (I don't even know if Brandi Burkhardt's solo album will be with that label).
I don't think Frank deserves the harsh remarks he gets on here. Honestly, he's a composer whose goal was and still is: Bring the common person back to the theatre with music that sticks enough in your head to become a chart single (

). Go figure that he'd get some Metalheads, Germans, and other random groups into musicals (with Jekyll & HYDE), but a show like Legally Blonde would make even more people return to the theatre. My guess is that he needs to do a more happy (not like Pimpy though!) or a huge twist story (like Jekyll was!), rather than stick the gothic-related stories, which people have their own opinions on regardless of what you put out there. I'm still waiting for Camille Claudel!!!