#51
Posted: 12/14/06 at 1:33pm
True adaptation is the art of being truthful to the essence from which it is based on. Certainly a film or play cannot include every little gem from the source material.
Still I found it odd that Condo left out one of the funniest and most entertaining scenes from the novel, FATHER OF FRANKENSTEIN where James Whale directs a scene in the film, THE BRIDE OF FRANKENSTEIN where it appears the blind old hermit is giving Frankenstein a blow job as an in joke. A colleague of Whale tells him he can't put that in the film. Whale explains how no one will notice because he tags the BJ by panning up to a crucifix on the wall. If you watch the movie THE BRIDE this scene is in it exactly as the novelist Christopher Bram describes it. I don't know if this really happened - or if it is an invention of the novelist after seeing this scene in the film or not. Too bad Condon didn't include it.
That aside I thought it was a terrible misstep by screenwriter and director Condon (whether you read the novel or not) to end GODS AND MONSTERS with a sappy coda in which Brendan Fraser's character, Clay shows his son the drawing Whale did for him of Frankenstein and tells his son the director of Frankenstein was his friend of his.
Condon's last image in the film is Clay walking down the alley pretending to be Frankenstein. WE GET IT! The character of Clay symbolizes the Frankenstein monster. The ending is not only sappy, it hits you over the head. Other than the ending I think GODS AND MONSTER is a wonderful film. I love it.
I think DREAMGIRLS is a wonderful film. I love it. As for the ending...
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I thought it was a terrible terrible mistake to have Foxx's character Curtis - while observing Effie sing with the Dreams in their last performance together - notice Effie's daughter in the audience and figure out that little girl is his daughter. OK. That pretty bad, but Condon makes it even worse by having Curtis leave his box seat in the audience and come down and stand in the aisle and stare at his daughter in astonishment.
This totally pulls the focus away from the Dreams swan song and Effie's big comeback and makes it about some soap opera plot twist. This is totally inappropriate way to end the film. Who is the main character of the film? Curtis? Is that what the whole story is about? Curtis discovering who his daughter is? No. So why does Condon go way out of his way to steer the focus over to this? Bad choice. Doesn't ruin the film for me, but it does end it on a sour false note.
IMO That's why I think Condon has a problem with how he ends his films.
Still I found it odd that Condo left out one of the funniest and most entertaining scenes from the novel, FATHER OF FRANKENSTEIN where James Whale directs a scene in the film, THE BRIDE OF FRANKENSTEIN where it appears the blind old hermit is giving Frankenstein a blow job as an in joke. A colleague of Whale tells him he can't put that in the film. Whale explains how no one will notice because he tags the BJ by panning up to a crucifix on the wall. If you watch the movie THE BRIDE this scene is in it exactly as the novelist Christopher Bram describes it. I don't know if this really happened - or if it is an invention of the novelist after seeing this scene in the film or not. Too bad Condon didn't include it.
That aside I thought it was a terrible misstep by screenwriter and director Condon (whether you read the novel or not) to end GODS AND MONSTERS with a sappy coda in which Brendan Fraser's character, Clay shows his son the drawing Whale did for him of Frankenstein and tells his son the director of Frankenstein was his friend of his.
Condon's last image in the film is Clay walking down the alley pretending to be Frankenstein. WE GET IT! The character of Clay symbolizes the Frankenstein monster. The ending is not only sappy, it hits you over the head. Other than the ending I think GODS AND MONSTER is a wonderful film. I love it.
I think DREAMGIRLS is a wonderful film. I love it. As for the ending...
S
P
O
I
L
E
R
*
S
P
A
C
E
*
*
*
I thought it was a terrible terrible mistake to have Foxx's character Curtis - while observing Effie sing with the Dreams in their last performance together - notice Effie's daughter in the audience and figure out that little girl is his daughter. OK. That pretty bad, but Condon makes it even worse by having Curtis leave his box seat in the audience and come down and stand in the aisle and stare at his daughter in astonishment.
This totally pulls the focus away from the Dreams swan song and Effie's big comeback and makes it about some soap opera plot twist. This is totally inappropriate way to end the film. Who is the main character of the film? Curtis? Is that what the whole story is about? Curtis discovering who his daughter is? No. So why does Condon go way out of his way to steer the focus over to this? Bad choice. Doesn't ruin the film for me, but it does end it on a sour false note.
IMO That's why I think Condon has a problem with how he ends his films.
Updated On: 12/14/06 at 01:33 PM