#1
Posted: 3/10/08 at 11:24am
I know there was a thread on this, or multiple threads, but I can't seem to find any of them right now.
Can anyone help?
Can anyone help?
#2
Posted: 3/10/08 at 11:35am
Are you looking for a definition or a listing?
You'll Never Walk Alone from Carousel
You'll Never Walk Alone from Carousel
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
#3
Posted: 3/10/08 at 11:36am
I guess both. There was a thread I remember seeing a while ago that had it all!
#4
Posted: 3/10/08 at 11:39am
Lot's Wife - Caroline or Change
Just give the world Love. - S. Wonder
#5
Posted: 3/10/08 at 11:40am
An 11'O Clock Number is usually the big brassy solo for the/a main character right before the end of the show. Many times it gives the main theme, or message of the show. Sometimes it's just a last burst to get us through to the finale.
Examples:
"Being Alive" - Company
"What I Did For Love" - A Chorus Line
"For Good" - Wicked
"Big Black Lady Stop the Show" - Martin Short
"Lot's Wife" - Caroline or Change
"I Know Where I've Been" - Hairspray.
Examples:
"Being Alive" - Company
"What I Did For Love" - A Chorus Line
"For Good" - Wicked
"Big Black Lady Stop the Show" - Martin Short
"Lot's Wife" - Caroline or Change
"I Know Where I've Been" - Hairspray.
http://www.youtube.com/huskcharmer
#7
Posted: 3/10/08 at 11:47am
I always thought Ladies Who Lunch was COMPANY'S 11:00 number...but what do I know?
#8
Posted: 3/10/08 at 11:49am
11 o'clock numbers are such a gray area-type topic
#9
Posted: 3/10/08 at 11:56am
Brotherhood of Man for How To Succeed.
The joke is that they were always needed in musicals of the 50s/60s to wake up the audience as they were starting to wane by 11pm.
And of course, there is always some truth behind every joke.
The joke is that they were always needed in musicals of the 50s/60s to wake up the audience as they were starting to wane by 11pm.
And of course, there is always some truth behind every joke.
....but the world goes 'round
#10
Posted: 3/10/08 at 11:57am
Back in the day, some shows started at 8:30 and would end at 11:30. In order to wake the audience up from the booze they consumed at dinner and/or intermission, they would put a rousing song in that would be performed at approximately 11:00 and carry them through to the curtain.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
#11
Posted: 3/10/08 at 12:02pm
Traditionally, in the days when showcasing the top name star was more important than presenting a well-crafted musical, someone like Al Jolson, Eddie Cantor or Ethel Merman could have it written into their contracts that they get a big solo just before the finale. Since shows started at 8:30 or 8:40 they were known as 11 O'Clock numbers. Nowadays the phrase is often interpreted as any big rousing number that comes late in the show.
#12
Posted: 3/10/08 at 12:06pm
The number that made me shake was Roses Turn from Gypsy 1959, Ethel Merman delivered that song with such finess and her voice was absoulutly faboulus. What a good way to end a incredible show! My favorite song to this day.
#13
Posted: 3/10/08 at 2:56pm
I remember a thread like this not too long ago.
But, I'll mention one of my favorites yet again: "Reviewing the Situation" from Oliver.
But, I'll mention one of my favorites yet again: "Reviewing the Situation" from Oliver.
#14
Posted: 3/10/08 at 3:04pm
I always thought Ladies Who Lunch was COMPANY'S 11:00 number...but what do I know?
I would have guessed that too. It seems that I confused the 11 o'clock number with some sort of structure where the main chatacter(s) go through some sort of "epiphany" or conclusion before the finale. For that matter, I though "Marry the Man Today" was the 11 o'clock number and not "Sit Down..." in Guys and Dolls, for example.
I would have guessed that too. It seems that I confused the 11 o'clock number with some sort of structure where the main chatacter(s) go through some sort of "epiphany" or conclusion before the finale. For that matter, I though "Marry the Man Today" was the 11 o'clock number and not "Sit Down..." in Guys and Dolls, for example.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
#15
Posted: 3/10/08 at 3:13pm
I think "Ladies" is the 11 O'Clock number and "Being Alive" is the finale.
And it's not always the lead character who does the 11 O'Clock- "Brush up your Shakepeare" and "Sit Down You're Rocking the Boat" for example.
And it's not always the lead character who does the 11 O'Clock- "Brush up your Shakepeare" and "Sit Down You're Rocking the Boat" for example.
#16
Posted: 3/10/08 at 3:19pm
Sondheim is too sophisticated for an 11:00 number.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
#17
Posted: 3/10/08 at 3:50pm
But an 11 o'clock number CAN be the finale, hence "Fable" from Light in the Piazza.
"Is Anybody There" from 1776 has always been one of my favorites.
"Is Anybody There" from 1776 has always been one of my favorites.
#18
Posted: 3/10/08 at 3:53pm
"I'm Here" from Color Purple
"Promises, Promises," from Promises, Promises, it's the 11 o'clock number, AND the finale
"Promises, Promises," from Promises, Promises, it's the 11 o'clock number, AND the finale
#19
Posted: 3/10/08 at 3:56pm
"Gimme, Gimme" from Thoroughly Modern Millie
"Make Them Hear You" from Ragtime
"I Confess" from Footloose
"Make Them Hear You" from Ragtime
"I Confess" from Footloose
#20
Posted: 3/10/08 at 3:59pm
I think it's a combo of "Back to Before" and "Make Them Hear You" for RAGTIME's 11 O'Clock
http://www.youtube.com/huskcharmer
#21
Posted: 3/10/08 at 4:03pm
"Ladies Who Lunch" is definitely COMPANY's 11 o'clock number, "Being Alive" comes too late in the show. An 11 o'clock number is not necessarily the finale or the last song.
"Lot's Wife" is the best in recent memory, IMO.
"Sit Down You're Rockin' the Boat" (not "Marry the Man Today"), "Rose's Turn," "The Miller's Son," and "I'm a Brass Band" are some classic 11 o'clock numbers.
"Lot's Wife" is the best in recent memory, IMO.
"Sit Down You're Rockin' the Boat" (not "Marry the Man Today"), "Rose's Turn," "The Miller's Son," and "I'm a Brass Band" are some classic 11 o'clock numbers.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#22
Posted: 3/10/08 at 4:06pm
husk_charmer: I think you are right. I totally forgot about "Back To Before" when I made my previous post.
#23
Posted: 3/10/08 at 6:11pm
I was just about to post that about Back to Before. Both it, and Make Them Hear You I guess qualify as 11:00 numbers.
Another one that has not been mentioned is "If He Walked into My Life" from Mame.
Another one that has not been mentioned is "If He Walked into My Life" from Mame.
#24
Posted: 3/10/08 at 6:15pm
I'm Going Back - Bells Are Ringing
Oklahoma - Oklahoma
Oklahoma - Oklahoma
It Sucks To Be Me
#25
Posted: 3/10/08 at 7:27pm
A couple of my 11 o'clock favs:
Razzle Dazzle -- Chicago
Suddenly Seymour -- Lil Shop
Razzle Dazzle -- Chicago
Suddenly Seymour -- Lil Shop
--------------------
Brook Arts Center closed due to flooding from April 2007 Nor'easter. Watch www.brookarts.org for more info.
Updated On: 3/10/08 at 07:27 PM
Tickets From $59
Tickets From $71
Tickets From $71
Tickets From $95