Fav non-original Sondheim orchestrations

I think it's often a 'go-to' criticism whenever there are different or especially reduced Sondheim orchestrations that we lament the full-sized originals (see also, ATC post right now on Merrily). However, as the years go by I actually enjoy sometimes dabbling in these for the different sounds. For example, even though the original Sunday orchestrations are glorious sometimes I don't mind the simplicity of the Menier Sunday orchestrations - I like clearly hearing the piano and the kind of toy wind up box feel of the whole thing. I also think the John Doyle Sweeney Todd orchestrations have a certain creepiness to them in addition to being impressed at the feat/artistry of having an ensemble of actors perform the entire mammoth show, instruments, singing, acting and all.

Trying to see if I can more appreciation in other examples. Are there any other non-Standard or reduced Sondheim orchestrations you enjoy listening to? (preferably if they are on record, but ok if not!).

Updated On: 12/10/22 at 10:26 AM

Marianne Elliott’s Company had good orchestrations that updated the 70s sound without sounding dull.

I am head over heels in love with the Jonathan Tunick’s beefed up orchestrations for the Into The Woods film. I listen to the instrumentals-only album quite frequently.

Also because the Doyle Sweeney and Company revivals were my introduction to Sondheim, I have a soft spot for those orchestrations too.

Updated On: 12/10/22 at 11:25 AM

The8re phan said: "Laurapattifan said: "Marianne Elliott’sCompanyhad good orchestrations that updated the 70s sound without sounding dull."

Yes, this......1000%

I know, I know..... they were not contractually able to release it. but the fact that these exquisite orchestrations were not recorded along with that cast is truly a crime."

Yep, it’s still depressing, especially because they don’t sound as good on the London recording, and there were some updates for Broadway.

I love the Doyle Company orchestrations for their sophisticated cocktail-hour coldness. It fits the arch, detached vibe of that production so well.

I love what Tunick and David Chase did for the Jerry Zaks FORUM. Superior arrangements to the originals, imho.