Can't believe nobody's mentioned Judy Kaye's marvelous rendition from the live recording "A Stephen Sondheim Evening," which was then also included on the 3-disc "A Collector's Sondheim." Perhaps not 'definitive,' especially since (I think) it has some cuts, but so moving. I don't really believe in the concept of one definitive version of almost anything, but love that, the original Dean Jones, and was quite thrilled with Neil P. H.'s in the taped concert.
No cuts in it, LoLo2, except the dialogue interjections. it's just an arrangement to make the song really work for one singer without those interjections so it's actually longer than most solo performances of the song.
And I completely agree on the performance. It's the best, along with Jones's performance on the OBCR.
If Dean Jones defined the song, then Raúl Esparza redefines it for me and gives me the one I listen to.
The song doesn't make a great deal of sense out of context, for me, the ladies are scratched from the race, which relieves me of having to comment on Patti Lupone's inability to enunciate..
Dean Jones is still my favorite. I especially like watching him record his performance in the historic D. A. Pennebaker documentary of the making of the OBC album in 1971. It's very moving.
I also love Bernadette Peters but am not crazy about Streisand's take on the song...to my taste it's too overstressed and mannered.
Updated On: 6/25/11 at 04:16 AM
I love the OCR of this show and Dean Jones rendition. However, for me, I will never hear that song again without thinking of Raul. Just the opening chords of the piano reduce me to tears.
I love the OCR of this show and Dean Jones rendition. However, for me, I will never hear that song again without thinking of Raul. Just the opening chords of the piano reduce me to tears.