Earlier this week I went to a screening of "Company" with a friend (both loved it). He asked me if there is a definitive recording of the song. I wasn't sure how to answer. Is the OCR considered definitive? - not sure it is for this song...
The first version I heard was Streisand's 'Broadway Album'. Favorite recording is Patti LuPone from "Sondheim: A Celebration", with Bernadette Peters rendition on "Sondheim, Etc." a distant, but notable second.
Wondering what other folks think.
No matter how many times I listen to the CD- LuPones version on the Concert Sondheim has always been my favorite!
I love the Stephen Bogardus version from the "Musicality of Sondheim" album
Understudy Joined: 6/7/10
Norm Lewis from "Sondheim on Sondheim"
Understudy Joined: 12/31/69
Obviously, the original BeeGees version from Saturday Night Fever,
Larry Kert, from the 1972 Sondheim tribute (the Scrabble album):
http://youtu.be/1TvagUwpgGE
I guess I would go with Dean Jones for definitive.
But for favorite? Hands down Norm Lewis.
Dean Jones is definitive.
Personally, for some reason I haven't heard a rendition of this that I liked that was sung by a man. Love Streisand's, Peters', and LuPone's though. LuPone's is my favorite.
Favorite- Raul Esparza or Patti Lupone
Definitive- Dean Jones or Larry Kert
Lupone's seems to suffer from her continual difficulties with diction. Of course I heard Bernadette's first so I was probably biased when I first heard Lupone's.
Updated On: 6/23/11 at 02:04 PM
I'm shocked that this hasn't already turned into a thread where people argue about Raul Esparza's performance.
Side note: Raul Esparza's performance is definitive.
Bernadette's is the definitive version for me. So moving.
Bernadette's version is absolutely my favorite - and I would say definitive too (outside of the context of the show).
Wait, what does definitive mean?
Broadway Legend Joined: 12/31/69
Would be Raul's if I was on suicide watch.
Jones, or Kert's for the win.
Raul, though not just out of partiality to him, and I don't think it's objective so much as determinately personal; I think the first time you see something like that song, in context, performed, it does something to you that nothing can ever recreate. Raul's version tore me up in such a beautiful way, and every time I see or hear it sung, no matter how well, my mind always goes back to him.
Vocally, though, Stokes' version is also really beautiful.
I've always loved Anthony Warlow's version from the On The Boards album. Original orchestrations and sung in full, minus the dialogue and. as always, impeccably sung.
For me, it's hands down Bernadettes version.
Dean Jones, followed by Patti LuPone.
Bernadette, hands down. More specifically, this performance:
http://www.youtube.com/watch?v=4iRkwhV3MAE
Bernadette wins. Patti LuPone = Somebodone to hojhhgd too clojhseeee...
As OBCRs go, the original COMPANY just might be my favorite OBCR of all time. That being said, I have a particular fondness for Adrian Lester's performance of "Being Alive" on the far-from-wonderful 1996 OLCR. I assume most others here don't agree as Lester has not been mentioned previously in this discussion. As non-OCRs go, I'm in total agreement about the power of Bernadette's performance as well.
Carol Channing's
Bernadette's is good, but boy does she strain to hit the notes at the end. Patti delivers a flawless vocal, despite some diction issues.
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