How does Alfred Molina sound on it ? I haven't seen it. I'm not sure I will... but I'm a fan of Fiddler from seeing the movie and I think I might pick a copy up.
Yeah I have to agree Schwartz can be strange. He'll give a song like Gravity that everyone love but then throw song in that everyone skips like "something bad" o well
right. if "something bad" was not in the show, people would get confused. so i guess the question is if he can make it sound like something that people would NOT want to skip.
i have the cast recording as well. i LOVE it to death. after seeing the show, (which was absolutely astonishing. in a good way), the orchestra seems smaller on the nbcr though.
"People asking questions, lost in confusion. Well I tell them there's no problems, only solutions."
~The one and only John Lennon
I liked the production, but I really don't care for the new recording. It has a dry, untheatrical studio sound. It lacks the spaciousness and theatricality of the original Broadway cast recording or the London version, and as ponine mentioned, it somehow makes the large orchestra sound teeny. I'm thankful to have much more the the show's dance music, but I listened to the new Fiddler once, and I don't think I'll be returning to listen to it again.
I think Schwartz is my favorite composer on Broadway. The shows of his that I know are Pippin, Wicked, Godspell, Children of Eden, and then the music for Pocahontas, The Prince of Egypt, and The Hunchback of Notre Dame. His Broadway work consists of glorious scores.
i have the NBCR and love it except for one thing: molina. he just doesnt have enough ooph to be tevye. i dont know at some points i like the more...naturalisatic approach to the character, but in most cases, i dont.
""the gays love their presents. just wave something shiny in front of their faces, you can get whatever you want. Thats how we got manhattan from the gay indians" -Karen (W&G)"