The 1985 concert recording served a purpose at the time, but now I find it a pretty tough listen. The tempos are really way too fast and the Overture sounds like circus music. I don't like the transposed keys for Sally's songs, Stritch's Broadway Baby is tiresome, I don't think Burnett is ideally matched with "I'm Still Here" (Yvonne De Carlo, Nancy Walker and Ann Miller all bring more to the table), and Mandy Patinkin is excruciating. For a concert version, there are still lots of cuts to the material.
I'd absolutely go with the Paper Mill recording.
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 6/21/09 at 10:37 AM