#26
Posted: 7/28/12 at 10:05am
TonyVincent, there is currently very good availability on TDF. The dates are July 31 up to and including Aug. 19, most days of the week.
Forbidden Broadway: Alive & Kicking — Page 2
#27
Posted: 7/28/12 at 3:12pm
This show has been running for 800 years and you expect it to be a sell-out?
"Long live God!" (GODSPELL)
#28
Posted: 7/28/12 at 7:30pm
I got 2 for 1 tickets, so my wife and I are seeing it tonight! We've never seen them perform, but we own some of the CDs! We're excited!
#30
Posted: 7/28/12 at 7:57pm
I loved the old bits of Merman and Martin. Yes, I'm dating myself
#32
Posted: 7/29/12 at 12:49am
Albee is usually at the Flea Market at the Playwrights table. He's EXTREMELY nice and even though he doesn't hear very well he's more than happy to talk to people!
#33
Posted: 7/30/12 at 6:06pm
Back on topic...
I loved the performance I saw Saturday night. I rolled with laughter throughout the show. My particular favorite spoofs were of EVITA, ONCE, and Julie Taymor!
I loved the performance I saw Saturday night. I rolled with laughter throughout the show. My particular favorite spoofs were of EVITA, ONCE, and Julie Taymor!
#34
Posted: 7/31/12 at 4:38pm
Is it reasonable to expect they would include Follies, considering it closed 8 months ago?!
Now t/d/b/a haterobics on here.
#35
Posted: 7/31/12 at 8:53pm
I have heard nothing of a FOLLIES spoof, but Catherine Zeta-Jones gets done in NIGHT MUSIC, which was two seasons ago.
#36
Posted: 7/31/12 at 11:56pm
I was at tonight's performance. The only FOLLIES heard was part of the recorded overture played while the audience was filing in or during intermission. Very funny, clever evening as usual with FB. The Elena Roger skewering didn't seem all that edgy; actually, Catherine Zeta-Jones seemed more on the receiving end of the nastiest barbs. And I got a kick out of the "Steppin' Out on My Babies" number making fun of Hugh Jackman's supposedly clumsy dancing, even though that's not the impression left on me by the Astaire winner. The cast of FB is energetic and talented. Loved Marcus Stevens' ungainly Matthew Broderick.
#37
Posted: 7/31/12 at 11:57pm
The gang on ATC seem to think Elena was badly treated by Mr. Alessandrini. I'll have to see it myself to judge, but honestly, she deserves everything she gets for killing that score.
#38
Posted: 8/1/12 at 12:41am
Yes JV and you can enjoy it just as much after you learn a whole opera score in a language you have never spoken before and you perform that opera score six times a week after you have been savaged by the press for having an accent, not being the original, and for your own singing voice. Oh and while doing this you also have to learn all the choro. So frankly i would back off the international theater star that is Elena Roger.
#39
Posted: 8/1/12 at 12:47am
Okay, just to clear up a few things:
EVITA is not an opera, despite what "Lord" Lloyd Webber thinks. (And yes, neither is SWEENEY TODD.)
The press didn't savage her for having and accent an not being LuPone. They DID savage her for her singing voice, which is unpleasant.
When you're in a big Broadway musical, you "Gotta dance!" to quote Gene Kelly, so she knew she had that comin'.
I was a BIG champion of Josefina Scaglione as Maria in WEST SIDE STORY some years ago. She, too, was Argentinian and making her Broadway debut. She was fabulous. She could sing beautifully and play the part with conviction, all things the International Theater Star Elena Roger is not doing six times a week.
Darling, there IS a lovely thread on All That Chat for you to join, so why not chime in there?
EVITA is not an opera, despite what "Lord" Lloyd Webber thinks. (And yes, neither is SWEENEY TODD.)
The press didn't savage her for having and accent an not being LuPone. They DID savage her for her singing voice, which is unpleasant.
When you're in a big Broadway musical, you "Gotta dance!" to quote Gene Kelly, so she knew she had that comin'.
I was a BIG champion of Josefina Scaglione as Maria in WEST SIDE STORY some years ago. She, too, was Argentinian and making her Broadway debut. She was fabulous. She could sing beautifully and play the part with conviction, all things the International Theater Star Elena Roger is not doing six times a week.
Darling, there IS a lovely thread on All That Chat for you to join, so why not chime in there?
Updated On: 8/1/12 at 12:47 AM
#40
Posted: 8/1/12 at 2:48am
Here's her review of FOLLIES citing it as the greatest production she's ever seen in her life. After raving about the whole fvcking thing she gives it four out of five stars. Maybe she didn't get comps?
Link
Link
#41
Posted: 8/1/12 at 2:19pm
The Matthew Broderick impersonation was hilarious. The whole crowd was on the floor with uncontrollable fits of laughter during the Catherine Zeta-Jones segment when I saw it. As far as the Elena Roger part goes... I love her and still laughed my butt off! I'm not afraid to say that Roger is my favorite Eva and I'm also not ashamed that I found the impersonation at FB to be delightful! So come off of it... FB is all meant in fun and jest! Geez!
P.S. Thanks for the Corine stuff...
P.S. Thanks for the Corine stuff...
#43
Posted: 8/1/12 at 2:31pm
I thought the ONCE bit was hysterical. My wife and I really loved the facial expressions that the shorter actress gave when impersonating Critin Milioti. The guy playing Steve Kazee does a great bit about contorting words too, which was priceless. I also loved the taller actresses portrayal of the woman with the accordion.
Sorry, I don't know names. I have the PLAYKILL, but there are no headshots in it... :-/
Sorry, I don't know names. I have the PLAYKILL, but there are no headshots in it... :-/
Updated On: 8/1/12 at 02:31 PM
#44
Posted: 8/1/12 at 4:14pm
The "PLAYKILL"????
Oh, DEClarke, you're one of us!!!!!!!
Oh, DEClarke, you're one of us!!!!!!!
"Long live God!" (GODSPELL)
#45
Posted: 8/1/12 at 5:01pm
Really JV, why then did so many reviews mention the certain 'spark' they saw in LuPone, or criticize roger for not belting everything like LuPone did. So that claim is just silly to me.
#46
Posted: 8/1/12 at 5:10pm
I think they really call it PLAYKILL, right? Also, is the cover in color?
#47
Posted: 8/1/12 at 5:11pm
Oy. Maybe because LuPone has a certain "spark" (and a good singing voice), while the International Theater Star doesn't?
#48
Posted: 8/1/12 at 6:00pm
random: I might add that, although Evita isn't an opera, basically every opera singer has to sing in a language that they don't natively speak. That's why there are coaches for diction and accent. It's not like this is a dilemma that just Elena Roger has ever had to deal with.
#49
Posted: 8/1/12 at 10:37pm
I hate all this "If you don't like Elena, you're anti-Latin" SH*T. There have been PLENTY of foreign performers making their Broadway debuts who have been fabulous-- not just Scaglione, but Paulo Szot as well. Maybe the problem is, Ms. Roger isn't all that good.
#50
Posted: 8/2/12 at 12:29pm
macnyc, yes their PLAYBILL is titled PLAYKILL. When I went, it was not printed in color. As this was my first and only time to see Forbidden Broadway in person, I do not know if they will run them in color in the future. But as of now, it is printed on regular printer paper and folded over into a book that consists of a total of 4 pages with printing on both the front and back.
As for all the ELENA ROGER hate. I guess you love her or you don't. I found her performance in EVITA to be the best I'd ever seen. I only had a Patti LuPone cast album and the Madonna movie to compare her to, so I guess I'm not really "old" enough to jump into that battle. I think what people need to realize though is that she is not Patti LuPone nor is she trying to play Eva in the same way Patti LuPone did. She is giving audiences her own unique spin on the character and making it fresh and new again. So, please, stop trying to compare her to Patti LuPone. It's pointless. If you love Patti LuPone so much as Eva, find a bootleg of her in the show and skip the current one. If you want to see a rehashing of LuPone's performance then Roger is sure to disappoint. If you're willing to open your mind up to a new interpretation of the whole work (as nothing in the new production is a rehashing of the LuPone/Hal Prince version), then you may just find yourself enchanted by the revival of EVITA! I've spoken my piece, goodnight and thank you!
As for all the ELENA ROGER hate. I guess you love her or you don't. I found her performance in EVITA to be the best I'd ever seen. I only had a Patti LuPone cast album and the Madonna movie to compare her to, so I guess I'm not really "old" enough to jump into that battle. I think what people need to realize though is that she is not Patti LuPone nor is she trying to play Eva in the same way Patti LuPone did. She is giving audiences her own unique spin on the character and making it fresh and new again. So, please, stop trying to compare her to Patti LuPone. It's pointless. If you love Patti LuPone so much as Eva, find a bootleg of her in the show and skip the current one. If you want to see a rehashing of LuPone's performance then Roger is sure to disappoint. If you're willing to open your mind up to a new interpretation of the whole work (as nothing in the new production is a rehashing of the LuPone/Hal Prince version), then you may just find yourself enchanted by the revival of EVITA! I've spoken my piece, goodnight and thank you!
Updated On: 8/2/12 at 12:29 PM
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