During previews, Broadway chatrooms have drawn facile comparison to The Mystery of Edwin Drood, the Tony-winning 1986 Rupert Holmes musical that was given a sparkling revival last season. While there’s some overlap in the pastiche score and vintage British music hall-style staging, Gentleman’s Guide is far superior, propelled by a rollicking story, humor of the most delectable amorality and the cleverest lyrics assembled in quite some time. Just hearing Mays as the ridiculously posh Lord Adalbert D’Ysquith scoff his way through “I Don’t Understand the Poor” (a wicked anthem for the one percent) is enough to restore an audience’s faith in musical comedy while getting them in the mood to off some toffs.
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
"In an increasingly risk-averse Broadway landscape where more and more musicals come from mainstream-brand movies or hit song catalogues, this bright little jewel is a legitimate treat." --The Hollywood Reporter
PJ, remember when the 3 affiliates and WPIX and WOR all reviewed shows the night they opened, always during the last couple of minutes of the 11pm newscast.
I bet you channel switched back and forth and back and forth the way I did. Pia Lindstrom and Pat Collin's reviews may not have held any weight, but you still wanted to get any indicator of how things were shaking out.
I had no idea it looked this stunning, from the old globe production.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
I didn't know that. Does it matter which Times reviewer writes about the show with regard to box office sales or is it just "The Times" name that carries the most heft. Just wondering.