frontrowcentre2, amen. I love the ending quote, one of the most stiring eleven o'clock numbers ever written. Unfortunatly, its not in the Sound of Music, so so few have heard it. If I'm ever in Toronto, we should have lunch.
TechEverlasting, I feel the exact same way about recordings. I think if people bring these DVD's back to Wherever, USA, and show their friends, they may be prompted to see the show when they come to NYC. Beauty and the Beast is seen by hundreds at high schools and community theatres, yet it still has drawn the crowds, I think the same applies for other shows.
I have several names, one is Julian2. I am also The Opps Girl. But cross me, and I become Bitch Dooku!
Question regarding G.G.- Thankfully I got tickets for the closing show. Do you think they'll still have window cards and programs at that point? I know merchandise sells out quickly. Should I just buy off the website?
Updated On: 7/3/07 at 10:11 PM
I don't care about the program really. I can buy it online if I must. But I'd like to buy the windowcard at the theatre because I'd like to have the cast sign after at the stage door. I've only gotten my Playbill signed, which is good, but I'd love to have a framed, signed poster hanging in my office on display. If I have to buy it online and lug it to the Walter Kerr, I guess it'd be okay though.
"it's a shame that good shows that don't recoup are seen as a flop"
That is the very definition of a flop, so it's not a shame.
I hope none of the people wringing their hands over this are the ones who have posted in the past about not wanting their favorite shows to become popular and commercially successful.
Have I ever shown you my Shattered Dreams box? It's in my Disappointment Closet. - Marge Simpson
I realize that the technical definition of flop is a show that doesn't make back its investment, but I still think it's worthwhile to distinguish between a "financial flop" and a "total flop".
Is Grey Gardens, with its awards, critical accolades and impressive run both off and on Broadway in any way similar to The Pirate Queen"?
"I have got to have some professional music!" - Big Edie
But there are some shows that are flops (financially) but are artistic successes and will have long lives in regional and community theatres.
As I have said before, the show's financial status onl;y really matters if you are an investor. The real test is whether a show has a life after Broadway.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
"I think down the road in history they will look back and talk about the legendary performances by Ebersole and Wilson..."
I must agree with violet. I think that in the years to come, this show, more notably the performances by MLW and ESPECIALLY Christine Ebersole will be looked upon as legendary. No disrespect to MLW but I this Ms. Ebersole will be remembered for her roles for quite some time.
(formerly bronte604)
"You really just love money and power and capitalism? You know they're never going to love you back."
"Things happen for the best...I don't even believe that myself."
See, that's the problem when we attach labels. We say the word "flop" and automatically people are up in arms saying that GREY GARDENS = PIRATE QUEEN.
Let's not attach labels. Let's just discuss the show at hand and each show on a case by case basis without the simplicity of single word labels. Labeling is a lazy man's excuse for thinking.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
"No disrespect to MLW but I this Ms. Ebersole will be remembered for her roles for quite some time. "
Well, I hope both women who created two legendary peformances are remembered equally. In my eyes, they are both wonders and I feel honored to have witnessed them perform six times.
But Foster, the thing is, in terms of money, Grey Gardens = Pirate Queen. Both were flops.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
I'm well-aware, but if any time people try to delve into something deeper, like the quality of the show, they're brought to a halt by someone who comes along and shouts out "FLOP!" it doesn't further the conversation.
We get that by definition it is a flop.
Though if the whole thread were just going to be one person after another saying "Yep, FLOP!" then it would be pointless.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Since only one in five shows (or one in four in a good year) recoups, there are always a large number of financial "flops" so GG is in good company. I agree with the earlier statement that putting aside the investors' interests (with love and kisses for their money and courage), GG has definitely had a very positive impact by expanding the subject matter of musical theater and by providing the two main characters with an opportunity to shine.