I was there tonight and the most shocking thing is that all the actors have managed the impossible: they have somehow managed improved upon the perfection of the Boston production.
The Booth does seem to be favoring revivals with four characters of late, and like Virginia Woolf, all four actors are operating on such a high stratum that no feeble words of the English language could ever do them justice.
Nothing much from a design aspect has changed. The costumes are the same, the lighting and set are the same. The physical production does fit very nicely in the small theater and you feel like you're right in the living room with them.
We are constantly reminded that this is merely a memory play, but the characters all feel so REAL. Every detail is perfect and meticulously crafted by each actor. The shoulder slumps, the hand claps, the gaits, the accents, the laughs- it's all so perfect. So precise.
John Tiffany is brilliant and he makes an almost 70 year old play feel like it was written yesterday.
Zachary Quinto, Celia Keenan-Bolger, Brian J Smith and the one and only Cherry Jones will not be bested this fall.
This is the show to see and I will be returning as many times as I possibly can during the 17 weeks it is running. It doesn't get better than this!
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!