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#1

Grand Hotel The Musical

Browsing MTI's website I see that NYU/Tisch School of the Arts is presenting GRAND HOTEL through this coming weekend. Has anyone seen it or have any info on the production?



Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!

I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com

Updated On: 3/30/10 at 07:28 AM

#2

Grand Hotel The Musical

I'd like to know too!

I know it's a Cap 21 show.
#3

Grand Hotel The Musical

Seeing it tonight. A good friend of mine is the Doctor. I'll report back.
#4

Grand Hotel The Musical

bump!

any opinions on this production of it much appreciated.
#5

Grand Hotel The Musical

Sorry for not posting my thoughts last night! It totally slipped my mind.

I should preface by saying I had never listened to or seen GRAND HOTEL before I saw the show last night other than the Tony performance. The show is in a black box theatre and the set is supposed to be the remains of the hotel the Grand is based on after it burned down. The story is a flashback that the Doctor has after he shoots up with morphine at the beginning of the show. He is onstage almost the entire show, watching the action. It's all got a very Sam Mendes CABARET feel to it.

I really didn't know how to feel about this production. The material itself is all over the place with WAY too much going on. And there are only a couple songs I left the theatre remembering at all. None of this is any fault of this specific production, however.

This was the first show I've ever seen at NYU and I have to say I was disappointed. It seemed like a really great high school production instead of a university supposedly known for excellence. The messy choreography felt cramped in the group numbers (even though the ensemble is drastically reduced to be able to fit in the tiny space) and just plain boring in the smaller bits, save for the wonderful "Bolero" at the end of the show. The costumes are fine and the lighting is fine. The concept is a bit too much and forces the opinion of just how unhappy this show actually is on the audience without letting them feel any sense that it could be happy. There were many moments I would feel quite happy about the goings-on on the stage, but quickly lost it when I glanced over at the Doctor, sneering and shaking his head at his memory of the event. The director made a bold choice in his reimagining of the show, but he also pre-judged it and lost my investment in the show entirely.

The cast does a fine job with what they are given to do. They sing well and seem to be very invested in the world they created. Standouts in the cast are Tripp Fountain as the Doctor and the girl who played Flaemchenn (or however you spell it; don't have my program in front of me). Both are exceptional singers, particularly the latter. Her big song (can't remember the title) was easily the highlight of the evening, for me.
#6

Grand Hotel The Musical

"I Want To Go To Hollywood?"

Grand Hotel is actually one of my favorite musicals...it was one of the last shows I did in community theatre before I moved to NYC.
#7

Grand Hotel The Musical

Thanks for posting this! I've always wanted to see a production of this, so I think I'll go tonight!
#8

Grand Hotel The Musical

Yes, RyToast. "I Want to Go to Hollywood" was the song I was referencing.
#9

Grand Hotel The Musical

Jane Krakowski was the original Flaemmchen, and her recording of the song on the OBC is pretty solid. However, I think Sutton Foster's recording on the Maury Yeston album kicks butt!!!
#10

Grand Hotel The Musical

I wish I wasn't going out of town this weekend! I've always wanted to see a production of this show. (I've secretly dreamed of a Broadway revival with Patti Lupone for years).
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#11

Grand Hotel The Musical

What, Patti as Grushinskaya, the ballerina? The score was tailored for the... unusual talents of Liliane Montevecchi, so how would Patti shine in this? She doesn't particularly have the physique of a still-working ballerina, either... (I do love this show and its composite score, by the way.)
#12

Grand Hotel The Musical

Yeah, I know she doesn't exactly have a dancer's body, but doesn't part of the story somewhat revolve around Elizaveta realizing that her best days are past her (cf. "No encore")? She has the right kind of voice for a song like "Bonjour Amour". Other actresses have done well in the part; Mary Elizabeth Mastrantonio was brilliant in London five years ago. The role may have been created/re-tooled for Montevecchi, but that certainly doesn't mean that she is the only actress who can shine in the role.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#13

Grand Hotel The Musical

Oh, no, I wouldn't say that no one else could do the role well - what I meant was that Grushinskaya's music wouldn't show off Patti's voice, having been tailored to a lesser singer's abilities.

And just imagine the audience response when the poor old thing had to come on stage in tights and a tutu...
#14

Grand Hotel The Musical

Thank you for your incisive review.

It does seem the director has imposed his own needless concept on the show.

Reminds me of a SWEENEY TODD a local university staged a few years back where the director decided the whole thing took place in a "ghost factory." It was a horror show all right.

Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!

I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com

#15

Grand Hotel The Musical

Thank you from me, too, for your review. I like your comment about the director pre-judging the show, a classic mistake that can sink a show before opening night. I really love to see new productions of my favorite shows.

The original production of 'Grand Hotel' was unbelievably exhilarating to watch. Funny that the piece at NYU was so depressing, because I always think of the show as being so hopeful and dark at the same time. I remember every number topping the one before it, which is odd considering that listening to the cast recording wouldn't necessarily suggest that to be the case. Tommy Tune really is an extraordinary talent. 'Grand Hotel' is one of my favorite nights in musical theatre ever.
#16

Grand Hotel The Musical

Just watch the footage from the Tonys at you-know-where-tube to see how lively the original production was. And Michael Jeeter broke your heart every night.
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451 http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883 http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952 http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915 http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622 http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699
#17

Grand Hotel The Musical

I agree - the original staging was breathtaking. But that was 20 years ago. A lot of the kids on here weren't even born yet!

It's one show from that era deserving of a revival.

Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!

I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com

#18

Grand Hotel The Musical

I'd love for Grand Hotel to be revived. I had never even heard of the show before I watched the clip from the Tonys in a class last year and I fell in love with the cast recording and score shortly after. The choreography in that Tony clip is fantastic and I would have loved to see Michael Jeter play that role live.
#19

Grand Hotel The Musical

The score of GRAND HOTEL is a marvel and credit Wally Harper with weaving together the Yeston songs with the Wright/Forrest songs and making it all sound of one piece.

When it is done well it a representative of Broadway at its best.

Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!

I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com

#20

Grand Hotel The Musical

"Somewhere, in a vault in London..." Oh sorry, that's from "The Private Life of Sherlock Holmes" (a GREAT film, kiddies)

Grand Hotel The Musical

Somewhere in my storage locker, I have a copy of the program for "At The Grand" which was Wright and Forrest's failed attempt to musicalize Grand Hotel in the late 1950s. The show starred Paul Muni in the role of Kringeline, but the role was beefed up to make him a hotel employee and omnipotent observer.

And the show was set in Rome.

Bigtime flopperoo.
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451 http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883 http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952 http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915 http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622 http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699

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