These songs may not necessarily be great, but they're each much better than the rest of their respective scores IMO.
'Don't Break The Rules' from Catch Me If You Can
'Wait a Bit' from Just So
'Willow' from Venice
'Trashin' The Camp' from Tarzan (it may be telling that I find the one song with 90% meaningless scat lyrics, to be the most listenable song in the score)
The only "Trashin' the Camp" I actually love is Phil Collins feat. *NSYNC, the a cappella version that was a bonus track on the movie soundtrack. I hear Disney's official a cappella group DCappella does a version, and I'm guessing it's pretty impressive.
Jet Set, Doctor's Orders and Family Tree from Catch Me If You Can BFF, Hero is My Middle Name and Chop to the Top from Spongebob Let There Be and Spark of Creation from Children of Eden Roll Yer Socks Up, Sunshine Girl, Flings, Chess and Checkers from New Girl in Town That's the Way It Happens from Me and Juliet Live for the One I Love - Notre Dame de Paris I Get Embarrassed from Take Me Along Freedom and We Make a Beautiful Pair from Shenandoah By the Sword and Tell My Father from Civil War Walk Like a Woman and Every Woman in the World from Carmen (Wildhorn) Afraid of the Dark and Reach Right Down from Starmites Take Me to Heaven, Fabulous Baby and Raise Your Voice from Sister Act The Man I Used to Be and All at Once You Love Her from Pipe Dream
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
“Men”—Sung by Faith Prince in “Nick and Nora”. One of the most startlingly bad evenings of theater ever, but this number was electric. You felt like you were discovering a star. And indeed once “Guys and Dolls” opened not long after, you realized you had.
The opening 15 minutes of “Steel Pier” were pretty wonderful. The orchestral introduction was gorgeous, Karen Ziemba’s solo, “Willing to Ride”, and the complex musical sequence that followed as all the major characters were introduced to begin the dance marathon made you think you were in for a great evening. Once the marathon began, however, the show was a slog.
“Triumph I’d Love” was terrible, but Christopher Sieber singing “Issue In Question”, Betty Buckley’s “Serenity”, and Susan Egan’s 11:00 number were fantastic.