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Greatest Character Written For The Stage...- Page 2

Greatest Character Written For The Stage...

Therese
#25re: Greatest Character Written For The Stage...
Posted: 3/13/05 at 2:53pm

Lots of good answers so far, but am I the first to say Professor Henry Higgins and Eliza Doolittle?


"In my own little corner..."

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mirandajrs
#26re: Greatest Character Written For The Stage...
Posted: 3/13/05 at 4:05pm

Dolly Levi


Edith 'Little Edie' Bouvier Beale: Do you think my costume looked all right for Brooks? I think he was a little amazed.

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GirlforTartaglia
#27re: Greatest Character Written For The Stage...
Posted: 3/13/05 at 4:09pm

Roger (rent)

Sally (cabaret)

Eponine (les mis)


And the other thing about the Phantom Lady was, Bert, she realized, in the city that never sleeps... What did she realize, Kitten? That all the songs she'd listened to, all the love songs, that they were only songs. What's wrong with that? Nothing, if you don't believe in them. But she did, you see. She believed in enchanted evenings, and she believed that a small cloud passed overhead and cried down on a flower bed, and she even believed there was breakfast to be had... Where? On Pluto. The mysterious, icy wastes of Pluto.

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mattvcrewse
#28re: Greatest Character Written For The Stage...
Posted: 3/13/05 at 5:53pm

Henry Higgins
Eliza Doolittle
Mama Rose
Harold Hill
Jean Valjean (more developed than most pop-opera characters)
Javert (ditto JV)
I like Mordred
Dr. Jekyll/Mr. Hyde should've been a better written part
Don Quixote
Nellie Lovette

Sheridan Whiteside
Felix Unger
Hamlet
MacBeth (Lord and Lady)
The "Therapist" from The Three-Step Method

and many more...

*WARNING - TANGENT AHEAD*

I don't think the Phantom is one of the greatest. None of the characters from POTO were very well developed. That's what you usually get from any type of opera. Grant it, you can put a lot of subtext into the performance and from gleaning from the novel, but the musical as a work by itself, no. Despite the gorgeous score, it's always been my opinion that the show was written too brightly. ALW didn't necessarily have to write it much lower, just darker. Phantom as a tenor sounds whiny and completely non-threatening. I do agree with writing the part to one extreme (i.e. NOT for baritone). I just think he would have sounded more powerful as a bass. In fact, in the old "rules" of opera, people in positions of power (kings, judges, gods, etc.) were basses and altos. Christine could've been a dark mezzo, but for the character, yes divas were usually sopranos. I think with Phantom as a bass, Christine as a dark mezzo, and Raoul as a lyric Baritone, the show would've been darker and more true to the tone of the original novel.
Updated On: 3/13/05 at 05:53 PM

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Unmasked05
#29re: Greatest Character Written For The Stage...
Posted: 3/13/05 at 7:03pm

Coalhouse Walker (Ragtime)
Effie Melody White (Dreamgirls)
Dolly (Hello,Dolly!)
Harold Hill (The Music Man)
Sarah(Ragtime)
Elphaba(Wicked)
Jean Valjean(Les Mis)
Fantine(Les Mis)
Deena Jones(Dreamgirls)
King Arthur(Camelot)
Annie (Annie Get Your Gun)
Jo March (Little Women)
Glinda(Wicked)
Seymour( Little Shop of Horrors)
Aida(Aida)
The Whole Cast of RENT (RENT)
The Phantom (The Phantom of The Opera)


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paradox_error
#30re: Greatest Character Written For The Stage...
Posted: 3/13/05 at 7:35pm

Some that haven't been mentioned, and probably wouldn't be mentioned:

Bottom from A Midsummer Nights Dream

Sabina from The Skin of Our Teeth

Dolly Levi from The Matchmaker

I'm really too tired to keep thinking of more...




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