FOR COLORED GIRLS is one of my favorite plays, but I don't see putting Shange on the list for really just writing that -- her only really notable play (plus a few minor works that are interesting, but not particularly noteworthy) . Everyone else on the list has an impressive body of work, some with a half dozen or more truly first rate pieces of writing -- Shange only has one.
And Beane I don't get at all. AS BEES IN HONEY DROWN, COUNTRY CLUB and LITTLE DOG LAUGHED are all funny and showcase his talent for one liners (sitcom-ish as it may be), but like Paul Rudnick, in terms of plot, character development, and sheer substance, he's a pretty second rate talent.
The only one from that school of campy gay quipmeisters that might merit inclusion is maybe Terrence McNally, who with LISBON TRAVIATA, MASTER CLASS, LOVE! VALOUR! COMPASSION!, LIPS TOGETHER, TEETH APART, CORPUS CHRISTI et al, along with several notable musical books (RAGTIME, THE FULL MONTY) that have collectively won him 4 Tonys, arguably deserves a spot on the list.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney