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Hal Prince at 90: Working on 2 new musicals & knocks Broadway's 'temptation to copycat'

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#1

Hal Prince at 90: Working on 2 new musicals & knocks Broadway's 'temptation to copycat'

Hal Prince says musicals should be dangerous. And he adds that theater shouldn't compete with movies with special effects, and points out that his ''very minimalistic'' production of ''Phantom of the Opera'' has ''no projections and no fancy technology.''

http://www.theguardian.com/stage/2018/apr/07/harold-prince-theatre-musicals-interview-at-90

Updated On: 4/7/18 at 03:20 PM

#7

Hal Prince at 90: Working on 2 new musicals & knocks Broadway's 'temptation to copycat'

Harold Prince has always been very good at provoking scenic suggestion, particularly when working with brilliant people, and Phantom is a good example of how he uses objects carefully organized in darkness to give the illusion of controlled maximalism. He has a really interesting way of managing your eye so you don't feel like you've taken in the entire set and now you've got nothing new to look at, because his spaces often have the sense of being perpetually partial and sort of obfuscated, pieces of a bigger whole - all these little vignettes here and there around these big, black spaces

What I'd really be curious is a comparison of the ledgers from back then to now.

#8

Hal Prince at 90: Working on 2 new musicals & knocks Broadway's 'temptation to copycat'

Dewey4david said: "Hal Princes POTO really is minimalist if you think about it, it’s a decorated black box theatre."

I agree. People usually think of Phantom as having extravagant sets, but it really comprises nothing more than a few pieces that move on and off stage at key moments. There are no "rooms" in the Phantom set; spaces are delineated by vague elements like drapery, flat black cutouts, and the portcullis. The most literal space in the entire show is Christine's tiny dressing room.


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