If American audiences can respond to the story of Cromwell, revivals of Wilde and Shaw, plays about English all-boys schools, a play about a British cavalry horse, an adaptation of Servant of Two Masters set in lower-class 1960s England, recreations of original Elizabethan production styles, and play after play about English monarchy (you know, the folks we rebelled against), maybe just maybe British audiences will respond to a musical about Alexander Hamilton.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Updated On: 9/18/15 at 01:24 PM