"Hedda Gabler"- 1st Preview/Review

Ha!

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I just got from the first preview as well, and I pretty much echo your thoughts. This production, although being a wonderful show in and of itself, is in VERY rough shape.

The direction is indeed terrible and seems to be all over the place. The supporting cast seems to be in a competition with cast of American Buffalo for worst ensemble acting.

Testing, I do disagree with you about Michael Cerveris and Mary Louise Parker. I think Michael was the only one up there who had created an interesting character.

I'm actually really fond of Parker as an actress, but this role was all wrong for her. It certainly didn't help that she didn't have good support to act off of, but she didn't make many wise acting choices, especially in the second act. I felt like she brought too much modernity to the role. The line delivery was too sarcastic and felt out of place with the setting. Maybe this could be explained by the direction...

Everything the brilliant production of The Seagull did right, this did wrong. I went in wanting to love this, but sadly walked away disappointed.

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While the show might get "tighter", (the best case scenario is the on-stage chemistry between Cerveris and Parker improving), I really dont see the show becoming much better.

Its really all over the place, and the cast, outside of Cerveris, (who I really think was forcing his lines all night)
and Parker, are simply dreadful.

Ana Reeder is truly terrible, (not the only one) in a role that simply cant have someone that bad playing it !!!

Show ran 10:20 with the intermission.

I think that is where the disagreements are going to come with this production... Mr. Cerveris' performance. I just thought he was so over-the-top. But, I think other people might like him.

The ensemble--- I dont think anyone can argue that they are dreadful. And why did everyone speak with a different accent !!!???

In a day and age where theatre-goers give standing ovations for just about anything, the fact that I could not spot one single person standing at the end speaks volumns about the general consensus of the show.

Testing: Thanks for commenting about the accents!!! It was crazy how many accents were thrown around that stage tonight. I think Peter Stormare may have contributed 3 or 4 alone.

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I liked Stormare a lot in Dancer in the Dark, so I don't know what happened either.

Paul Sparks definitely could have been in an old John Wayne/Gary Cooper tough man movie. He certainly was not acting in the same show as everyone else.

I would also like to comment there was some unintentional laughter during the final lines of the play. I guess some audience members found the whole thing too ridiculous.

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Did Debbie Allen secretly direct this production !!???

Hahahahahahahahaha.

Ugh, this is such a shame to hear. I'm seeing this Friday - maybe it'll improve by then.

I expected better, considering how lovely The Seagull was.

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Oh, God, the ending of HEDDA should not have people laughing. It just shouldn't.

People just don't do that.

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That was the third consecutive clunker from Roundabout at the AA Theater. I can't believe that the same director was at the helm of The Seagull. The accents were all over the place, especially from Stormare. Parker played everything for laughs, not a hint of subtlety. There didn't seem to be any chemistry between any of the actors... not a spark of life. The only bright point for me was Cerveris, who seemed to be the only one exuding emotion. And that last line... wow I totally understand why it elicited laughter... that deliver was stunning. The adaptation used some colloquialisms and other somewhat more contemporary phrasing. The music, while cool, was ridiculously out of place. The sound design also featured noises that resembled scraping, shuffling, and things creaking.

What was hysterical to me was reading an interview with Parker in the playbill with her talking about how she didn't want the play to "be a bunch of people pushing footstools around." And how does the show start? With Hedda re-arranging the furniture!

Wow.... just wow.

The signs in the lobby indicated the first act was 65 minutes, second act 45, with a 15 intermission. My math says that's two hours and five minutes. It was really closer to 2:15, because we were out by 10:20 and it started about five minutes late.

Updated On: 1/7/09 at 12:38 AM

Oh man, I think we all would have laughed a lot more at the final line if we did that.

Well, there's always the first preview of The Philanthropist!

i thought the curtain call was very awkward. MLP looked like she wanted to run off the stage. Group bow. MLP solo bow - to very nice applause btw - another group bow then they all dashed backstage.

SPOILER

was it my imagination or had Hedda just finished masturbating while watching herself in the mirror when the lights came up?