I was there, too. I had nothing on which to base or compare it, so I didn't think it was
that bad, but I was often confused and the accent issues were beyond me. I see the direction problems, definitely. And I didn't mind Parker's Hedda other than the fact that the characterization didn't seem contiguous (not having read the play or seen another interpretation, I didn't realize that it wasn't supposed to be that way- some characters are written like that). Sometimes she was calculating, others insane. I enjoyed the dryness of her tone, and the sarcasm, but it didn't really help the piece.
Eh. Yes. I was confused. I'll leave it there.
Except I thought that Sparks' ear was supposed to be bleeding, as a result of
*POSSIBLE SPOILER*
his night out at the brothel et al.
*END POSSIBLE SPOILER*
Could that not have happened then? If not, I'm way more concerned. And Parker touched his ear, so I'd imagine it was makeup.
The curtain thing was hilarious.
E
"I'll cut you, Tracee Beazer!!!!
...Just kidding. I'd never cut anyone." -Tina Maddigan, 9/30/06, WS stage door
Avatar: JULIE "EFFING" WHITE, 2007 TONY WINNER. Thank God.
I'm thinking about legally changing my name to Lizzie Curry...