Thank you, Joey. I too would find Mr. Sexton's argument more compelling if he seemed even vaguely aware that the "non-musical" is a mere blip on the timeline of theater history.
Or if he acknowledged that only European cultures split up music, dance and drama and sent them to separate buildings.
Or even if he noted that all art is based on conventions, even Naturalism. (No, Mr. Sexton, people in real life don't live their lives always facing the same wall or movie camera. You're just used to that convention.)
Or that Verdi and Puccini wrote the popular musicals of their eras.
Or that more contemporary opera composers (Bernstein, Weill) also wrote for the popular stage and yearned for Broadway hits.
Updated On: 1/12/13 at 06:51 PM