The LA Weekly review notes, as others have, that the show takes place in: "...a mythically sparkling and crime-free Manhattan...."
Brantley also made this bizarre observation early. As if this show, whatever its strengths and weaknesses, needed to dramatize some sort of ominous personal threat to these characters. I lived in Manhattan 24 years, in several locals, and can assure the reviewers that the NYC I inhabited and loved wasn't so very far from the one in "If/Then," a musical comedy after all. Gee, Bobby isn't mugged in "Company." The last time I saw a "crime" acknowledging plot turn was in "Seesaw." It was hoary in 1973, and if we saw a less "sparkling" NYC -- what would it be, smudgy sets? Dirty windows? -- what would it add? The show has flaws, but it seems strange to carp about its positive portrayal of a diverse and vibrant urban existence. The show features people of color, LGBTQ characters, without turning anyone into a negative. Yeah, there aren't many financial problems. It's expensive as hell to live in NYC, anywhere. But we have a wide range of upscale characters here struggling, with real careers and investments. Let's at least let a musical comedy say that's possible.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 12/16/15 at 07:30 AM