I found the play to be dull, plodding, pretentious, and repetitive. Three hours of Israeli/Palestinian talking points screamed across the metaphorical aisle and into the audience with no dramatic tension or even genuine debate:
--"You killed my people!"
--"Well, you killed MY people!" "
--"We want Jerusalem or we will keep killing!" "
--"Ooh, great motivation, there! How about stop massacring our children and we can think about peace!?"
--"How about give us our land back and we can think about peace!?"
--"You first!"
--"No, YOU first!"
--"This is going to be a long day. I mean, play."
Ehle and Mays do an excellent job each of finding 3,000 ways to act "concerned," but otherwise, character development is minimal. Claptrap commedy is desperately inserted to break up the (non-existent, for we all know the bleak continuation of this story, don't we?) tension. The piece carefully avoids "picking a side," and while I admire the playwright's success at not allowing any hint of his own opinion to affect the action on stage, it renders the play rather toothless and gives the feel of documentary rather than drama. I like documentaries, but I paid to see an award-winning dramatic PLAY.
I'm not one to "yuck other people's yums," but I'd skip this one if I were you, Joe Dee, especially if you are already trepidatious about the subject matter. Look up the Oslo Peace Accords on Wikipedia, spend a few minutes trying to convince yourself that the event portends the possibility of a "hopeful" conclusion to the centuries-old bloody conflict in the Middle East, then head to "A Doll's House, Part Two" and prepare to have a wonderful and moving experience at the theater.
Updated On: 5/24/17 at 09:39 AM