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Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda

Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda

uncageg Profile Photo
uncageg
#2Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda
Posted: 2/8/26 at 1:16pm

Would love to read this but don't have a subscription.


Just give the world Love. - S. Wonder

sinister teashop Profile Photo
sinister teashop
#4Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda
Posted: 2/9/26 at 4:45pm

Okay, Eugene O’Neil “brought drama to America” by slavishly following every European highbrow artistic and theatrical movement and translating them into American subjects. He did that for most of his early and mid career. 

Kad Profile Photo
Kad
#5Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda
Posted: 2/9/26 at 4:58pm

This is a very cursory look at American theatre with no real thesis behind it or real insight into it. It gives short shrift to anybody who wasn't O'Neill, Rogers & Hammerstein, Sondheim, or Miranda and makes no mention of the various artistic movements or companies who built up the American theatre and, as sinister teashop implies, divorces it from a global artistic context.  


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Updated On: 2/9/26 at 04:58 PM

EricMontreal22 Profile Photo
EricMontreal22
#6Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda
Posted: 2/9/26 at 9:13pm

Kad said: "This is a very cursory look at American theatre with no real thesis behind it or real insight into it. It gives short shrift to anybody who wasn't O'Neill, Rogers & Hammerstein, Sondheim, or Miranda and makes no mention of the various artistic movements or companies who built up the American theatre and, as sinister teashop implies, divorces it from a global artistic context."

Exactly.  I was surprised Jesse Green didn't write it.


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