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Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda

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#5

Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda

This is a very cursory look at American theatre with no real thesis behind it or real insight into it. It gives short shrift to anybody who wasn't O'Neill, Rogers & Hammerstein, Sondheim, or Miranda and makes no mention of the various artistic movements or companies who built up the American theatre and, as sinister teashop implies, divorces it from a global artistic context.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

Updated On: 2/9/26 at 04:58 PM

#6

Isherwood: When the American Theater Found Its Own Way, From Eugene O’Neill to Lin-Manuel Miranda

Kad said: "This is a very cursory look at American theatre with no real thesis behind it or real insight into it. It gives short shrift to anybody who wasn't O'Neill, Rogers & Hammerstein, Sondheim, or Miranda and makes no mention of the various artistic movements or companies who built up the American theatre and, as sinister teashop implies, divorces it from a global artistic context."

Exactly. I was surprised Jesse Green didn't write it.

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