#151
Posted: 5/24/05 at 5:52pm
"I know the races of creators not that it mattered, you bringing up the fact that they are white proves what?"
It proves that you're assumption that just because Bill Condon is white and hasn't written anything for "blacks" that he has no business doing this film. That's what it proves
"Bill Condons has done a handful of films, Chicago was not the best movie-musical and im not going to praise him just because hollywood went crazy over the movie."
I don't recall anyone on this board asking you too. To each his own. You're entitled to your opinion.
"I said it would be nice if Bill Condon had history with writing for blacks.
Can you direct me to a novel that he has wrote that can prove me wrong?"
What does writng novels for blacks have anything to do with writing and directing a movie musical, just because the central characters are black. Tom Eyen the original writer for the show didn't write any black novels and he had no problem writing the original show.
So am I to believe from your comments that whites should only write "white films" and blacks should only write "black films".
That is some backwards_@ss thinking my brother.
Bill Condon is the go-to guy, when someone doesnt like the way a upcoming film is going this man comes from out the shadows.
I don't know where you are getting your information from Ghetto. Name me some other films Condon has been asked to do because "someone doesn't like the way it's going".
And for the record Condon is not some fly-by-night neophyte, he's not "just coming out of the shadows", he's proven himself in the business.
"In 97 or 98 Chicago was to be made with Madonna & Goldie Hawn,
What happened?
Things happen for a reason. It didn't get made. Get over it. The other queens did.
"My bringing up Motown goes to the character breakdown with the charector Teddy Campbell and that the Dreams are from Detriot, Curtis has a record label Rainbow records."
I don't know what character breakdown you are referring to but it sounds like third hand gossip to me. The Dreams are from Chicago.
"I dont know if Diana wanted to sue but she was angry, Mary wanted to be compensated for them obviously using their story.."
Diana Ross' anger must have been really short lived as she went on to record the song "Family" from the show's score and actually performed it live numerous times over the years. Mary Wilson wanting to be compensated is a joke. I'm not even going to touch that one.
People are tossing around names on who they think should play who in this film, and that's cool. There's nothing wrong with that. But no one here can honestly say that the people they have so far chosen for the roles of Curtis, Deena and C.C. are wrong.
A lot of people are complaining that C.C.'s character was changed to beng the choreographer for The Dreams. This is not true! He's still the songwriter AND the choreographer. So what if Condon gave the character double duty? It doesn't hurt the show or the character one bit and it actually enhances that character.
It proves that you're assumption that just because Bill Condon is white and hasn't written anything for "blacks" that he has no business doing this film. That's what it proves
"Bill Condons has done a handful of films, Chicago was not the best movie-musical and im not going to praise him just because hollywood went crazy over the movie."
I don't recall anyone on this board asking you too. To each his own. You're entitled to your opinion.
"I said it would be nice if Bill Condon had history with writing for blacks.
Can you direct me to a novel that he has wrote that can prove me wrong?"
What does writng novels for blacks have anything to do with writing and directing a movie musical, just because the central characters are black. Tom Eyen the original writer for the show didn't write any black novels and he had no problem writing the original show.
So am I to believe from your comments that whites should only write "white films" and blacks should only write "black films".
That is some backwards_@ss thinking my brother.
Bill Condon is the go-to guy, when someone doesnt like the way a upcoming film is going this man comes from out the shadows.
I don't know where you are getting your information from Ghetto. Name me some other films Condon has been asked to do because "someone doesn't like the way it's going".
And for the record Condon is not some fly-by-night neophyte, he's not "just coming out of the shadows", he's proven himself in the business.
"In 97 or 98 Chicago was to be made with Madonna & Goldie Hawn,
What happened?
Things happen for a reason. It didn't get made. Get over it. The other queens did.
"My bringing up Motown goes to the character breakdown with the charector Teddy Campbell and that the Dreams are from Detriot, Curtis has a record label Rainbow records."
I don't know what character breakdown you are referring to but it sounds like third hand gossip to me. The Dreams are from Chicago.
"I dont know if Diana wanted to sue but she was angry, Mary wanted to be compensated for them obviously using their story.."
Diana Ross' anger must have been really short lived as she went on to record the song "Family" from the show's score and actually performed it live numerous times over the years. Mary Wilson wanting to be compensated is a joke. I'm not even going to touch that one.
People are tossing around names on who they think should play who in this film, and that's cool. There's nothing wrong with that. But no one here can honestly say that the people they have so far chosen for the roles of Curtis, Deena and C.C. are wrong.
A lot of people are complaining that C.C.'s character was changed to beng the choreographer for The Dreams. This is not true! He's still the songwriter AND the choreographer. So what if Condon gave the character double duty? It doesn't hurt the show or the character one bit and it actually enhances that character.
Updated On: 5/24/05 at 05:52 PM