#1
Posted: 12/31/15 at 12:43pm
Anyone else think she would be a great choice for the role when Frozen comes to Broadway?
Kerry Ellis as Elsa for FROZEN musical
#2
Posted: 12/31/15 at 12:56pm
She may be too old by the time it's ready.
#3
Posted: 12/31/15 at 1:05pm
Betsy Wolfe, please. Her insane belt on "that perfect girl is gone" changed my life and cured all of my illnesses.
They/them.
"Get up the nerve to be all you deserve to be."
#4
Posted: 12/31/15 at 1:25pm
CindersGolightly said: "Betsy Wolfe, please. Her insane belt on "that perfect girl is gone" changed my life and cured all of my illnesses.
I never even thought of this before but now that you've said it...I LOVE IT. I love Betsy! Even if I am Frozen-ed out I think she'd be great!
#5
Posted: 12/31/15 at 1:49pm
Well, whoever they choose better have some pretty strong pipes to scream 'Let It Go' 8x a week (not to mention whatever 11'oclock number they whip up for her in the second act) or have an alternate.
Ms. Ellis has the facility, and her rendition of the song on her debut album was superb.
Calling all young Laurie Beechmans!
#6
Posted: 12/31/15 at 1:53pm
I can't imagine Let it go would be any harder than singing defying gravity and tons of women seem to not have a problem with doing that song 8 times a week
#7
Posted: 12/31/15 at 2:09pm
Not trying to quibble about who can or can't do it. Or the keys in which the songs are written. Merely pointing out that the "power ballad belting for women" trend (ahem, sometimes its screaming depending on who you listen to) in musical theatre is getting out of control.
Just because someone /can/ belt "Defying Gravity" 8x a week, doesn't mean they /should/.
#8
Posted: 12/31/15 at 2:14pm
Just because someone /can/ belt "Defying Gravity" 8x a week, doesn't mean they /should/.
Okay but I can't think of any Elphaba that had no business singing the song. Most if not all the women hired for Elphaba get generally good notices from the public and Wicked fans.
And even then, Elphaba isn't really all that challenging to sing.
Elsa really only had that one song to sing in the film anyway. We aren't talking about singing Evita and Funny Girl now. hehe
.
.
Updated On: 12/31/15 at 02:14 PM
#9
Posted: 12/31/15 at 2:39pm
I don't care about "public approval" or "who can or can't sing it" (but I CAN think of a few Elphaba's who probably shouldn't be singing that role) Again, not the point. An actor who sings has a responsibility to his or her instrument; and the longevity of that instrument. If they choose to blow out their cords playing Elphaba, 8x a week, that's their own prerogative. But you run the risk of having a not so great voice as you age.
There are a lot of examples of this, but I'll just bring up one: Patti LuPone. She openly admits to the fact that her voice was not the same as it was 30 years ago when she was singing Evita. But luckily she found a great vocal coach (Joan Lader) who was able to teach her some healthy technique that has saved her instrument really.
Bottom line is, its a gift. Use it sparingly folks. Its fun to whale those high belt notes, but do so with proper technique otherwise it won't be there long.
#10
Posted: 12/31/15 at 2:59pm
Alison luff
My father (AIDS)
My sister (AIDS)
My uncle and my cousin and her best friend (AIDS, AIDS, AIDS)
The gays and the straights
And the white and the spades
#11
Posted: 1/1/16 at 9:01am
Kerry Ellis, a 37 year old, as a 21 year old Scandinavian Queen?
Well, at 34 she already played a 19 year old Latino stripper so screw it. Give Bernadette Peters the role of Anna. Really keep things interesting.
"Charlotte, we're Jewish"
#12
Posted: 1/1/16 at 9:40am
i would actually love to see Kristen Bell reprise her role on stage. That girl looks like she's been drinking the blood of innocents every night.. she could still pass off as a teenager
The thing is, besides being an utter toad of a human being, Riedel usually has the least knowledge of the topic in the room. He doesn't usually understand the content or approach of a show, and is always completely and unfailingly socially ignorant, which makes it really infuriating when Susan can't get a word in edgewise. A definitive mansplainer; it's always painful when he has female guests. I watch the show sporadically when I really want to see a guest, because it's the only theatre talkshow we have, but it would be so much better without this hateful clown in a dadcoat. (thanks ScaryWarhol)
#13
Posted: 1/1/16 at 10:15am
When is it supposed to arrive? The season after next, or the one after that?
Have they suggested a general time frame?
....but the world goes 'round
#14
Posted: 1/1/16 at 10:38am
It's been reported that Disney isn't demanding speed on the project, they're demanding excellence.
#15
Posted: 1/1/16 at 11:16am
I think that's a very wise choice. This could be an outstanding show.
It's one of the few Disney properties that I feel truly lends itself to a beautiful stage adaptation.
....but the world goes 'round
Tickets From $59
Tickets From $71
Tickets From $71
Tickets From $95