Very interesting, to say the least.
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Wow. Interesting is right.
For such a high-budget production, that was a pretty cheap commercial; I could have done better in a high school film class. And who was that blond woman? She doesn't look like any Middle-Earth character to me.
i am ummm...speachless??
Leading Actor Joined: 8/14/05
That was dissapointing, especially since they're making such a big deal about this production in Toronto.
for the next few months im living only a few hours away from Toronto, I was going to go down there for reading break, but now im not to sure..... yet im still really excitied
yawn...that was lame
If you saw the first movie, I believe its the character that frodo talks to in the woods...boy does that sound a lot like the whole movie. No but seriously I think its that like white witch thing that freaks out on Frodo...I can't really remember why she goes crazy. Thats my guess as to who that blonde woman is in the commercial.
Broadway Legend Joined: 2/15/05
Yeah, that sucked. It didn't get me excited at all. I guess its more of a "teaser" but it didn't show much of the show or anything, and the music was all that rememorable.
Stand-by Joined: 4/19/05
word from inside the company- ticket sales are so slow, that if this show even opens it will be a miracle.
Featured Actor Joined: 10/4/05
How can this show be good without being over 9 hours long? Or is it?
If you saw the first movie, I believe its the character that frodo talks to in the woods...boy does that sound a lot like the whole movie. No but seriously I think its that like white witch thing that freaks out on Frodo...I can't really remember why she goes crazy. Thats my guess as to who that blonde woman is in the commercial.
You're thinking of Galadriel. Only Galadriel isn't supposed to be a slutty vixen.
I'm betting that's Galadriel. Mmmm... I, too, am still completely confounded as to how they're going to condense three books in to one big THING. To the outside observer it sounds like a recipe for disaster... but maybe it'll catch on. Ticket sales right now probably reflect the general public having no idea what to think about this.
Kay, the Thread-Jacking Jedi
Quando omni flunkus moritati (When all else fails, play dead...)
"... chasin' the music. Trying to get home."
Peter Gregus: "Where are my house right ladies?!"
(love you, girls! - 6/13/06)
Wow, that make-up was not very good...
they should have put a more flattering image.
You have to realize that at this stage in the production process (around 2-3 months before previews) costume and make-up designs are definetly not final. Although I'm sure all designs have been completed for months (and will now hopefully only undergo minor changes) setting up a publicity photocall now would only allow for minor characters and uncomplicated costumes to be used. Hence the lackluster images we saw.
As for tickets not selling well, in MAY the show already had over a $10 million advance. By now it must be at least a couple million above that. In comparison to the $27 million budget, that amount of an advance is amazing. As the opening comes closer, hype will lead to more ticket sales, and after opening, people will try to get there hands on any tickets they can, as the production elements in this show will be enough to lure in a huge crowd.
Broadway Legend Joined: 2/15/05
how long does this play in Tornoto before it heads to London? Can the show even tour well or will they have to be completly new sets and what not for the London sitdown.
Can you imagine how much power Richard Ouzounian (critic for the Toronto Star) holds right now? A three-star review could kill a very expensive (and important) show.
They say the show has at least a 9 month run in Toronto (beginning Feb. 2) and is supposed to arrive in London sometime in Fall 2006.
The show in Toronto is a sit-down open ended run, so the set would not be used for any other production. Adding to that, is the cast actually rehearses extensively with the set (more so the deck) because it is such a huge element of the show (3 revolves and 17(16?) lifts). The have been using it already well in advance of previews. If a London company is to open, they would need their own set in advance as well, but their rehearsal period would still be in the 9 month minimum Toronto run. Make sense?
Stand-by Joined: 4/19/05
Tag,
The advance- as noted on the website- was $1 million for the first day, and $8 million by July. There have been no updates since then. I think you are confusing the million on the first day with "10 million in MAY".
You must also keep in mind that the Mirvish subscriber base will be filling the theatre during previews- that's 6 million+ dollars right there without even selling a ticket to the public. (55,000 subscibers who pay $108.00 or more a ticket)
That means they have sold $3 million in tickets- most likely to tour groups and corporate groups (and maybe some rich schools).
Not a very strong footing to be starting on.
I don't think that's correct. News reports from the first day of sales exclaimed that it had already broken the Canadian record for advance sales, which was previously set by THE LION KING at $4 million.
Regardless of the subscribers contribution, there is still a significant advance. And I believe that the $1 million amount is correct for the first day of sales, but before that group sales had already started.
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