Broadway Bulldog, some friends and I saw Les Miz about a week after it opened. We took turns trying to keep each other awake.
People seem to often fall in love with the recording of Les Miz and transfer this love to the stage production. I don't know anyone who liked Les Miz without first being familiar with the score.
Isn't it interesting how people fib about such things? Some will claim they saw the show and "it was the greatest and blah blah blah." Why won't these folks admit that what they are reacting to is the cd? Some of the most passionate Les Miz enthusiasts have likely never seen the show, or if they did, they saw the show after absorbing the recording.
I think Les Miz set a record of walk outs during its Broadway run. It is my understanding that Les Miz never had its full audience return after intermission and indeed often lost more than 25 percent of its audience before the end of the first act!
While Les Miz has some soaring musical moments, it is indeed a dreadful show, best listened to or seen in concert. As for British megamusicals, at least Phantom always excites and delights. The Les Miz marketing machine simply leads to a show that disappoints, baffles and bores and has turned off legions of potential regular theatergoers. It is a shame.
"MAY YOUR LIFE BE AS BRIGHT AS BROADWAY AT NIGHT"