this is slightly off topic, but I remember reading somewhere that the "Don't Cry For Me Argentina" can be found in several places in the score of
Evita, sped up, slowed down and...possibly inverted? I know it's really common for composers to have motifs in their pieces [there are certainly a lot in Sweeney], but I thought the DCFMA was really interesting and almost...ridiculous.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad