Bumping to ask again-
Can anyone clarify for me the ending that was used for the 1990 revival with Turner and Durning? I think it was vastly superior to the ending this National Theatre version used.
From what I remember, the story went that Williams original ending was changed by Elia Kazan in 1956 to make the show less dark. Then, in 1974, Williams took his original ending, and incorporated it into what Kazan had him do. So when the show is performed now, they either perform the Kazan ending, or the 1974 Williams ending.
HOWEVER, in 1990, they reverted to Williams ORIGINAL, pre-Kazan script, which I recall being VASTLY superior to the 1974 ending. One major change is that Big Mama is not in it very much. So Polly Holiday was given little to do, compared to other Big Mamas.
Does anyone know the exact story on this?