>It resurfaced decades later off broadway with the title "Ballad for A Firing Squad"<
Just clearing up the history a bit. The show premiered at the National Theatre in DC in November, 1967, where it famously crashed and burned, under the inept direction of Vincente Minnelli and with the beautiful but ill-equipped Marisa Mell starring as the titular spy. There are very good accounts of that show's tortured production in Ken Mandelbaum's Not Since Carrie, Steven Suskin's Second Act Trouble and William Goldman's The Season. Mell also has a few accounts and interesting photos on her blog: https://marisa-mell.blogspot.com.au/search/label/Mata%20Hari
Ballad for a Firing Squad was produced not decades later, but the following year, 1968, at Theatre de Lys, with Martin Charnin directing.
Back under the title Mata Hari, it was produced by the York Theatre Company in 1996, with Charnin once again directing, first as a part of Musicals in Mufti and then in a full production. (That cast and production is the source of the studio recording 
.
There are some problems inherent in the show and material, particularly finding a triple threat beauty for the lead, but what it does have is a largely very good score by Edward Thomas and Martin Charnin. It is a very big show that did not really benefit from being sized down to the intimate productions at Theatre de Lys and the York. But it's unlikely to ever be staged again at the size and scale as produced by David Merrick for the original production. It probably also won't get the type of reworking and reexamination it would need, as I believe Charnin wouldn't let it happen without him.
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 12/15/15 at 02:41 PM