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Michael Ball & Imelda Staunton Led SWEENEY TODD Headed to West End & Broadway? — Page 3

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#51

Michael Ball & Imelda Staunton Led SWEENEY TODD Headed to West End & Broadw

Thanks for that detailed review. Between this and LONG DAY'S JOURNEY INTO NIGHT, I'd definitely like to plan a springtime theatre trip to London.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#53

Michael Ball & Imelda Staunton Led SWEENEY TODD Headed to West End & Broadw

I completely forgot that was happening. If I do go--and that's a very big "if" at this point--it would probably be in May or early June, so I'd hopefully miss the hoopla.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
#59

Michael Ball & Imelda Staunton Led SWEENEY TODD Headed to West End & Broadw

I don't have the answer for that...but I did happen to get to see this in London two weeks ago.

I'd say it is in the top 5 productions of anything I've ever seen in my life. It was thrilling from beginning to end. Michael Ball (for whom I've never had great affection) was magnificent. He sang it beautifull, and he was brutal and heartbreaking in equal measure. His EPIPHANY was genuinely unsettling...bordering on terrifying.

I will gladly climb out on a limb and say that Imelda Staunton is the single best Mrs. Lovett I've ever seen. She brought equal measures of heart, humor and steeliness to her extraordinary performance. Natasha Richardson in Cabaret will probably always remain the best performance I've ever witnessed. But Staunton's Lovett is a very close second.

The rest of the cast was quite good and the staging and design elements were outstanding. The ensemble sounded spectacular. If you get a chance, RUN to see this.

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