It was one of the most exciting cabaret events I have ever attended. In fact, it was one of the most exciting theatrical events I have ever attended, in execution but also in conception.
For those of us who know the film backward and forward, it was pitch perfect, but Molly does not do a Judy Garland imitation. Rather, she has a naturally throbbing belt voice and a sense of drama and dynamics, so she is able to capture startling amounts of Garland-like nuance and subtlety and humor in her vocals. And her delivery of the two monologues at the end (Esther's in the dressing room and Danny's to Esther) capped the evening off in a satisfying emotional way.
Credit should also go to Will Nunziata, who directed it, Brian Nash, the musical director, and Sidney Erik Wright, whose witty and inventive choreography made the tiny 54 Below stage seems like a sound stage at Warner Brothers.
I'm sure she will do it again, and I will definitely go a second time.