It's unfair given the limited technology of the day but the OBCR of ANNIE GET YOUR GUN sounds flat and even Merman doesn't bring pizazz to "Sun in the Mornn'" on the older Decca set. Fortunately, the 1966 revival compensates for this.
CAROUSEL - Decca maybe should have made it 6 records instead of 5 and taken down the complete Waltz and more of the Bench scene. Someone mentioned the cut reprise of "If I Loved You" which also would have been nice, but taking an 80+ minute score and dividing over 10 78-rpm sides (at about 4 1/2 minutes per side) was criminal.
A lot of the RCA Victor cast albums from the 1950s have a flat boxed in sound: PAINT YOUR WAGON, DAMN YANKEES!, SEVENTEEN, HAZEL FLAGG, PETER PAN ..they are all redeemed by the performances but I do wish the sound was better.
RCA Victor's CD of TITANIC has very low levels. Why? This was done for CD, not Lp. (With SUNDAY IN THE PARK the original release had low levels because they were trying to squeeze 35 minutes of music onto each Lp side.)
The 2003 Bernadette Peters cast album of GYPSY has been repeatedly mentioned but can anyone zero in on what exactly is wrong with it? It isn't the performances but the music just doesn't jump out and grab you the way it ought to.
In a way I agree with Bryan: In this day and age when it really is a struggle to even get a cast album done, I am grateful to have the recordings that we do have.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com