-"One Day More" and "Master of the House" from Les Miz -"Dirty Rotten Number" from DRS (specifically, Norbert's note) -"You Can't Stop the Beat" and "Run and Tell That" from Hairspray -Tonight quintet from WSS -"Defying Gravity" from Wicked; I agree, say what you will about the show (I don't like it myself), but this song is just amazing -"Man of La Mancha"
"Run Away!", "Always Look On The Bright Side of Life", and "You Won't Succeed on Broadway"-Monty Python's SpamAlot.
"King of Broadway", "I Wanna Be A Producer", "Springtime For Hitler", and "Betrayed"-The Producers.
"Great Big Stuff", "Ruffhousin mit Shuffhausen", and "Dirty Rotten Number"-Dirty Rotten Scoundrels.
"C'mon Everybody", "All Shook Up", "Jailhouse Rock", and "Burning Love"-All Shook Up ________________________________________________________________ "We might have a position for you. As a matter of fact, we might have several positions for you." -The Producers
Defying Gravity-WICKED- such power when she rises up a great ACT I closer
One Day More-Les Mis- what a powerful song
La Vie Boheme-RENT- such power and energy just really fun to watch
The Reckoning-DRS- its fun to see what has happened to the guys
The end of Phantom when he disappears
"There are times when were dirt broke, and hungry and freezing and I ask myself why the hell am I still living here?...And then they call!" ~ Mark Cohen RENT movie
"River of Dreams"/"Keepin' the Faith"/"Only the Good Die Young"~MOVIN' OUT
"You Can't Stop the Beat" ~HAIRSPRAY
The end of "Prologue: Ragtime" ~RAGTIME
"Heaven on Their Minds" ~ JESUS CHRIST SUPERSTAR (the anticipation of all of it starting)
Mark's opening monologue from RENT. Knowing that it all starts with Mark just speaking and Roger tuning his fender guitar, is so exciting!...That is, if you don't have people walking to their seats in front of you...
Q: What is the most weirdest or funniest thing a fan has asked you?
Joe Flanigan, Stargate Atlantis: When a fan asked me for help with his grammar. I'm available.
"...and I'll stand there with the wizard..."- The Wizard and I "...this time boys Im taking the bow and EVERYTHINGS COMING UP ROSE!"- Roses Turn The chant at the beginning of THE CIRCLE OF LIFE
- Circle of Life - The passing of the chant and the doors behind the orchestra seats bursting open and the animals and cast sweeping down the aisles. Breathtaking!
- Step in Time - Bert's dancing vertically up the walls of the theater and then upside down across the proscenium.
- Defying Gravity - Enough said.
- The Impossible Dream - The conclusion of this song brings the house down when sung right, it helps if you're Anthony Warlow I guess.
- Masquerade - The colour, sound the spectacle astound you. Pardon the pun.
- Cell Block Tango - The fierce power in those women, the tight pirouettes and intense leaps. Electrifying!
- You'll Never Walk Alone - Enough said.
- I Wish I May - When the three girls fly in TWOE. This was a spectacle and a half! Three part harmony being sustained while the girls were whisked over the orchestra seats.
- You Can't Stop the Beat. The energy is almost sickening. Almost.
- The Music and the Mirror. Brings me to tears and shivers most times.
- One Day More - Enough said.
"...But Kungurtseva reels off multiple fouettes and the tape is stopped so she can take a bow. The Jester, an abomination introduced to Swan Lake in Soviet times, extorts applause from the audience. The cuts don't help the storytelling, the production is bare bones and they go for the '50s-style happy ending.
The audience cheers like mad at the end. It's the Russian ballet, after all..."
I'm gonna go out on a limb here and say right before "No Good Deed". When the "Fiyero" cries from Elphaba and Glinda overlap. And then throughout "No Good Deed". I got a larger adrenaline rush from that than Defying Gravity. I was just thinking, "Oh, snap. She's pissed. Let's go kick some rear."
Hmm...some general things = Opening of Gypsy. And Rose's Turn.
You Can't Stop the Beat - even LISTENING to it makes you jump and dance. Same with La Vie Boheme.
Second Act Closer for Light in the Piazza. And Aiutami.
Contact from RENT...When I saw it live, this number was electrifying, and Angel's solo was extremely affecting.
I agree with best12bars about Grizabella's ascension to the Heaviside Layer in CATS. I was probably too young to enjoy the musical on the whole (or possibly I was old enough and it's not enjoyable enough), but Memory and this part were really exciting and emotional.
The end of Defying Gravity in WICKED where Elphaba flies, of course.
I also agree about the end of the opening number in RAGTIME. It's exciting and does a great job of setting the stage for the rest of the show.
but the first thing that poppedinto my head is in the Revivaly of 42nd street when the curtain raises just enough to see all of the tapping feet at the Audition.
When the cast from RENT is lined up on the stage and there is a hole where Angel was...so sad.
My loyalty to Wicked remains: The very first time Kristin came down in her bubble The second Idina began rising into the air for Defying Gravity...literally pushed back in my seat.
Gypsy- Whenever Bernadette would sing Curtain up, Light the Lights, or Rose's Turn when she sang "Everything's coming up Roses!"
"You Can't Stop the Beat" - Hairspray "Audition" - 42nd Street "The River of Dreams/Keeping the Faith/Only the Good Die Young" - Movin' Out "Waiting for the Light to Shine (Reprise)" - Big River revival "Hair" (and a majority of the show, really) - Hair
it's not so much exciting as goosebumpy, but the end of west side story when maria's threatening them always gets me really tense.
"`I grow old... I grow old... I shall wear the bottoms of my trousers rolled.` What does that mean, Mr. Marlowe?"
"Not a bloody thing. It just sounds good."
He smiled. "That is from the `Love Song of J. Alfred Prufrock.` Here's another one. `In the room women come and go/Talking of Michael Angelo.' Does that suggest anything to you, sir?"
"Yeah -- it suggests to me that the guy didn't know very much about women."
"My sentiments exactly, sir. Nonetheless I admire T. S. Eliot very much."
"Did you say, 'nonetheless'?"
- The Long Goodbye by Raymond Chandler
I had the please to see the Jesus Christ Superstar National Tour with Carl Anderson...Heaven on Their Minds and all the Judas numbers were soooooooooooooooo amazing. Since Mr. Anderson was original film Judas he was unbelievable.
The day he died I cried all day. ---
Phantom of the Opera was my first broadway show and I found the boat sequence and the entire "Phantom of the Opera" number to be soo well done.
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When I saw Wicked in San Fran. I found that version of the show to be more amazing than the current broadway production.
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42nd Street...the entire Finale number...I WANT TO TAP LIKE THAT!!! HOLY CRAP!
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I saw an incredible production of A New Brain done here in Orlando over the summer a friend of mine had been in and the opening just sucked the audience in...the voices were incredible. I remember I saw it for a second time and walked in right as the show opened and the theatre was a small 75 seat black box and the actors were all lined up singing "Heart and Music" and one of the actors took my friend and I by the hand and led us to our seats...while singing in character. That just made me excited because they were so into it and involved with the audience.
I had the please to see the Jesus Christ Superstar National Tour with Carl Anderson...Heaven on Their Minds and all the Judas numbers were soooooooooooooooo amazing. Since Mr. Anderson was original film Judas he was unbelievable.
The day he died I cried all day. ---
Phantom of the Opera was my first broadway show and I found the boat sequence and the entire "Phantom of the Opera" number to be soo well done.
---
When I saw Wicked in San Fran. I found that version of the show to be more amazing than the current broadway production.
---
42nd Street...the entire Finale number...I WANT TO TAP LIKE THAT!!! HOLY CRAP!
---
I saw an incredible production of A New Brain done here in Orlando over the summer a friend of mine had been in and the opening just sucked the audience in...the voices were incredible. I remember I saw it for a second time and walked in right as the show opened and the theatre was a small 75 seat black box and the actors were all lined up singing "Heart and Music" and one of the actors took my friend and I by the hand and led us to our seats...while singing in character. That just made me excited because they were so into it and involved with the audience.
I always find it entertaining if I see regional/amateur productions of Les Mis, because they obviously don't have the budget and technical abilities of a professional show...so Javert's suicide is always done in a 'unique' way.
I've seen him metaphorically melt (thanks to lighting and sound effects) I've seen him simply run off stage, screaming I've seen him HURL himself into some disguised netting in the orchestra pit ala Joe in Sunset Blvd.
Sometimes, it's not so thrilling...
"...But Kungurtseva reels off multiple fouettes and the tape is stopped so she can take a bow. The Jester, an abomination introduced to Swan Lake in Soviet times, extorts applause from the audience. The cuts don't help the storytelling, the production is bare bones and they go for the '50s-style happy ending.
The audience cheers like mad at the end. It's the Russian ballet, after all..."
My favorite ensemble number in a show: Masquerade. The sheer sight just affects me, but certainly the opening for sweeney todd and This is the hours from Miss saigon. I agree with all the others on here too and dont wish to be repetitive, so also "The gods love nubia" from aida was just absolutely electrifying live, however I dislike it on the recording.