Chorus Member Joined: 2/28/05
Just curious... which Broadway song's melody do you think is the most stolen from something else?
My vote would have to go to "No One Is Alone" from Into the Woods... stolen note for note from "The Candyman Can" -Willie Wonka and the Chocolate Factory.
i HATE Friendship from Anything Goes. Talk about generic...
Broadway Legend Joined: 12/31/69
Even though I enjoy the song and it's probably the only thing good about the show, "Once Upon A Time" from "Brooklyn" is pretty cliche and unoriginal.
The beginning of "Castle on a Cloud" in the same exact melody as a Tchaikovsky piece. Same exact melody, note for note.
hahahaha! funny
Broadway Legend Joined: 12/31/69
I love these songs but "What Do I Need With Love" from Millie and "Dancing Through Life" from Wicked are pretty cliche male songs.
Pretty much the entire score of "Wicked".
Brooklyn songs sound like a Celine Dion(sp?) Concert!
Broadway Legend Joined: 12/31/69
"No One is Alone" Is a note for note steal from "The Candyman Can"? That's some sort of joke, right? Because, you know, the songs are completely different. Is that the joke?
And "Friendship?" My God you people are really hunting.
Of course, no thread is complete without a Wicked Bash, but I'll bite, MEF....What show, pray tell is the "Entire Score of Wicked" stolen from?
Good lord!
"Wicked" sounds like a regurgitation of everything Schwartz has ever written.
The entire "score" of "Mamma Mia."
I'm glad someone piped up and defended "No One Is Alone" because...ugh.
I was going to comment...but reconsidered, considering the calibre of person that would think that...I decided to go and talk to a brick wall instead.
Much more intellegent conversation.
Stand-by Joined: 10/16/04
some of the songs from little women seem unoriginial...or maybe just uninspired
I'm one of the biggest Phantom fans there is, but the score is a recollection of ALW and other people's works more or less.
no one is alone and candyman are completely different except for one little part.
in candyman: "Who can take a sunrise..."
sounds the same as the melody in no one is alone "Someone is on your side..."
but that's it. other than that the songs are completely different, and i'd hardly consider no one is alone to be unoriginal.
Most of PHANTOM OF THE OPERA and WICKED
wonderful town has songs ripping each other off musically, specifically "pass the football" is the exact melody as "what a waste"
Broadway Legend Joined: 4/5/04
The melody of "Streetsinger" from BROOKLYN is an obvious rip-off of Sam Cooke's signature song "A Change Is Gonna Come" (it's so dead on that they need to pay his estate royalties).
Broadway Star Joined: 6/28/03
"No One is Alone" Is a note for note steal from "The Candyman Can"?
Wow!!! It's true!
the candyman/ no one is alone thing is true- minimally the first few lines
Mamma Mia....entire "score" of...does that even count as a score???/
i think "all i ask of you" and "music of the night" sound the same.
that's all i ask of you
the music of the night
you think alw would at least put the same melodic line in two different shows.
Broadway Legend Joined: 5/30/04
The ENTIRE "score" of Avenue Q
WTF!!?? Where the Hell did the WICKED crap come from!? You ppl are REALLY SAD!
hate to break it to you fosseboi but wicked is takes on others of schwartz's work ala andrew lloyd webber. I'll give you ave q, although whats ripped off is in my opinion to get you into the sesame street mentality (what do you do with a b.a. in english is the same melody as the rainbow connection)
Please! I can think of two or three Stephen Schwartz songs "Defying Gravity" sounds like. ("Up to His Old Tricks" and "West End Avenue" come immediately to mind.) Also, "On the Right Track" from PIPPIN sounds a lot like "Turn Back, O Man" from GODSPELL.
Jule Styne once pointed out that "Why God, Why" from MISS SAIGON stole some of its melody from "There's a Small Hotel" from ON YOUR TOES.
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