#1
Posted: 4/11/09 at 7:23pm
I saw the final version of NEXT TO NORMAL, on Broadway, this afternoon, after having seen it at Second Stage a year ago.
Disclaimer: I am going to share some thoughts on what I saw today compared to what I saw a year ago. After reading my initial post, if people want to engage in a discussion, that would be wonderful. That is the purpose of this board. But if people want to begin to personally attack ME, I ask them to send me a private message, and do so in that form. I want to discuss a show currently playing on Broadway, on a Broadway message board. I would not like to be attacked personally or called names for my opinion on the musical being discussed. That is not the purpose of this message board.
So, onto the show. The reservations I had after seeing the Off-Broadway version pretty much remain, with one exception. I am glad that the song "Feeling Electric," a mad scientist type number demonstrating the main character as she undergoes electro-convulsive therapy, has been cut, as I found this to be the most offensive, stigmatizing number in the show. I'm thrilled that it's gone, and I give the creative team credit for getting rid of it. Sadly, too many other inaccuracies remain in this musical about a very serious human health issue, mental illness.
The entire second act of NEXT TO NORMAL is based around the fact that the main character, Diana, has lost her memory as a result of having undergone electro-convulsive therapy.
In reality, when a person undergoes ECT, an after effect can be some short term memory loss, but this show takes it over the bridge. NEVER does anyone who has undergone ECT forget their own home, their own family members' names, their LONG-TERM memory (their past). NEVER does ANY memory loss, let alone at this extent, last TWO WEEKS.
The authors of this show have taken a very serious subject matter and handled it carelessly. The main character has some unknown mental illness. From all of the possibilities NAMED throughout the show, it could be bipolar disorder, depression, or schizophrenia. But what the doctor and the family feel was the cause of this illness, a traumatic event in this character's life, it's almost too clear that what this character SHOULD have been diagnosed with is post-traumatic stress disorder. The entire storyline is based around this particular event and how it led to this illness. But not once is PTSD mentioned.
We see the character tell her doctor that she doesn't "feel anything" after having gone through series of medication regimens. He then lists her as "stable" into his notes recorder. The idea here is to give the impression that taking medication for mental illness makes you feel numb, a misconception today that prevents people who might think they are suffering from mental illness from seeking treatment. She proceeds to flush her prescriptions down the toilet.
We see her daughter steal prescriptions from her mother at one point, and carelessly taking HANDFULS of Risperdal, Xanax, and Valium (do the authors even know what these drugs do?) -- a regimen that in reality would send her to an emergency room -- but she just acts a little uneasy, then eventually stops them all at once, and is fine again at once.
I enjoyed the score last year, but this time it just comes off as derivative and lacking in any uniqueness.
Alice Ripley acts the HELL out of her role, that's for sure, but it's almost as if she doesn't even know what to do except for cry and cry and cry and shift her face into a different configuration every minute, probably because she hasn't been very well informed about what is going on with this woman (the audience certainly never finds out much).
The rest of the cast is just fine. They're all basically bystanders in what could have been a groundbreaking musical about mental illness, an issue that is prominent in U.S. society, but is handled with such an extreme lack of knowledge on the topics it swims through here. Offensive, inaccurate, and stigmatizing material about a monumentally serious human health issue.
And one last reminder: if you would like to discuss this show, please let's discuss the show. If you want to personally attack me or call me names, please do so by PM.
Disclaimer: I am going to share some thoughts on what I saw today compared to what I saw a year ago. After reading my initial post, if people want to engage in a discussion, that would be wonderful. That is the purpose of this board. But if people want to begin to personally attack ME, I ask them to send me a private message, and do so in that form. I want to discuss a show currently playing on Broadway, on a Broadway message board. I would not like to be attacked personally or called names for my opinion on the musical being discussed. That is not the purpose of this message board.
So, onto the show. The reservations I had after seeing the Off-Broadway version pretty much remain, with one exception. I am glad that the song "Feeling Electric," a mad scientist type number demonstrating the main character as she undergoes electro-convulsive therapy, has been cut, as I found this to be the most offensive, stigmatizing number in the show. I'm thrilled that it's gone, and I give the creative team credit for getting rid of it. Sadly, too many other inaccuracies remain in this musical about a very serious human health issue, mental illness.
The entire second act of NEXT TO NORMAL is based around the fact that the main character, Diana, has lost her memory as a result of having undergone electro-convulsive therapy.
In reality, when a person undergoes ECT, an after effect can be some short term memory loss, but this show takes it over the bridge. NEVER does anyone who has undergone ECT forget their own home, their own family members' names, their LONG-TERM memory (their past). NEVER does ANY memory loss, let alone at this extent, last TWO WEEKS.
The authors of this show have taken a very serious subject matter and handled it carelessly. The main character has some unknown mental illness. From all of the possibilities NAMED throughout the show, it could be bipolar disorder, depression, or schizophrenia. But what the doctor and the family feel was the cause of this illness, a traumatic event in this character's life, it's almost too clear that what this character SHOULD have been diagnosed with is post-traumatic stress disorder. The entire storyline is based around this particular event and how it led to this illness. But not once is PTSD mentioned.
We see the character tell her doctor that she doesn't "feel anything" after having gone through series of medication regimens. He then lists her as "stable" into his notes recorder. The idea here is to give the impression that taking medication for mental illness makes you feel numb, a misconception today that prevents people who might think they are suffering from mental illness from seeking treatment. She proceeds to flush her prescriptions down the toilet.
We see her daughter steal prescriptions from her mother at one point, and carelessly taking HANDFULS of Risperdal, Xanax, and Valium (do the authors even know what these drugs do?) -- a regimen that in reality would send her to an emergency room -- but she just acts a little uneasy, then eventually stops them all at once, and is fine again at once.
I enjoyed the score last year, but this time it just comes off as derivative and lacking in any uniqueness.
Alice Ripley acts the HELL out of her role, that's for sure, but it's almost as if she doesn't even know what to do except for cry and cry and cry and shift her face into a different configuration every minute, probably because she hasn't been very well informed about what is going on with this woman (the audience certainly never finds out much).
The rest of the cast is just fine. They're all basically bystanders in what could have been a groundbreaking musical about mental illness, an issue that is prominent in U.S. society, but is handled with such an extreme lack of knowledge on the topics it swims through here. Offensive, inaccurate, and stigmatizing material about a monumentally serious human health issue.
And one last reminder: if you would like to discuss this show, please let's discuss the show. If you want to personally attack me or call me names, please do so by PM.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
