#1
Posted: 9/23/06 at 12:10am
On Broadway, list in order the first 25 shows (or less) that you've seen:
1) Smokey Joe's Cafe - 1996
2) 42nd Street - December 23, 2001
3) Into The Woods - April (13-29?), 2002
4) The Lion King - January 9, 2003
5) Wicked - January 16, 2004
6) Aida - January 17, 2004
7) The History Boys - June 6, 2006
Spelling Bee - June 7, 2006
9) The Wedding Singer - June 9, 2006
10) Awake and Sing! - June 10, 2006
11) The Drowsy Chaperone - June 10, 2006
12) Sweeney Todd - June 13, 2006
13) The Lieutenant of Inishmore - June 15, 2006
14) Tarzan - June 17, 2006
15) The Color Purple - June 17, 2006
Future:
16) Jersey Boys - October 8, 2006
17) Avenue Q? - October 9, 2006
1
Martin Short: Fame Becomes Me - October 10, 2006
19) A Chorus Line - October 11, 2006
20) The Producers - October 12, 2006
21) Grey Gardens - October 13, 2006
22) ??? - October 14, 2006
23) Les Miserables - November 24, 2006
24) How The Grinch Stole Christmas - December 23, 2006
25) Mary Poppins - December 24, 2006
1) Smokey Joe's Cafe - 1996
2) 42nd Street - December 23, 2001
3) Into The Woods - April (13-29?), 2002
4) The Lion King - January 9, 2003
5) Wicked - January 16, 2004
6) Aida - January 17, 2004
7) The History Boys - June 6, 2006
9) The Wedding Singer - June 9, 2006
10) Awake and Sing! - June 10, 2006
11) The Drowsy Chaperone - June 10, 2006
12) Sweeney Todd - June 13, 2006
13) The Lieutenant of Inishmore - June 15, 2006
14) Tarzan - June 17, 2006
15) The Color Purple - June 17, 2006
Future:
16) Jersey Boys - October 8, 2006
17) Avenue Q? - October 9, 2006
1
19) A Chorus Line - October 11, 2006
20) The Producers - October 12, 2006
21) Grey Gardens - October 13, 2006
22) ??? - October 14, 2006
23) Les Miserables - November 24, 2006
24) How The Grinch Stole Christmas - December 23, 2006
25) Mary Poppins - December 24, 2006
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle