Understudy Joined: 5/7/03
https://www.broadwayworld.com/article/Exclusive-Listen-to-49-Speed-of-Sound-From-YOUR-LIE-IN-APRIL-Cast-Album-20250403
Has he written anything recently that's up to the level of his earlier work?
Whatever became of his The Song of Bernadette? Did it ever premiere in Wisconsin?
I'm going to be honest and say I don't believe "the level of his earlier work" would be a high bar to hit when you're talking about stage material.
In general, I think many of the songs he wrote for Linda Eder's solo albums in the 1990s are leagues better than anything he wrote for the stage. One of her recordings had a few songs from a proposed musical called Havana, which doesn't seem to have ever materialized. But those songs were superior to just about anything that did get to Broadway.
Broadway Star Joined: 7/12/22
"In general, I think many of the songs he wrote for Linda Eder's solo albums in the 1990s are leagues better than anything he wrote for the stage"
Loved early albums like "It's Time" and "It's No Secret Anymore". Wonderful songs like "Even Now", "Its Time" and "Vienna" are superior to almost everything he wrote for the stage. I will say I did enjoy a few songs from "Bonny & Clyde" like "Raise A Little Hell" and "This World Will Remember Me".
mitchern said: "https://www.broadwayworld.com/article/Exclusive-Listen-to-49-Speed-of-Sound-From-YOUR-LIE-IN-APRIL-Cast-Album-20250403
Has he written anything recently that's up to the level of his earlier work?
Are we saying up to the level of "This is the Moment" and "Someone like you" or up to the level of the rest of Jekyll and Hyde?
I'm a fan of Wildhorn's scores for Scarlet Pimpernel and Bonnie & Clyde. As far as recent-ish stuff, I loved his score for Death Note.
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